Historical Dramas: The Queen v. The Crown

[smccormack]

As a historian I know almost nothing about the British monarchy except what I need to get me through teaching the first weeks of colonial America. I haven’t taught Western Civ in many, many years and somehow I completely avoided British history throughout my own undergraduate education. My increased interest in the monarchy in recent years, admittedly, is founded entirely on the hours I have invested in the Netflix series “The Crown.” When the Queen passed away in September, it took me a moment to remind myself that the deceased was not Olivia Coleman, the brilliant actor upon whom my sympathetic view of Queen Elizabeth II’s life has been built, but instead a woman I knew very little about – a figurehead whose life has been serialized.

Historically based (largely fictitious) dramas have an enormous influence over the television-watching and movie-going population and how they view historical events. When “Once Upon a Time in Hollywood” came out in 2019 I remember my students being stunned during our casual conversation that Quentin Tarantino had ended the movie with a fictionalized version of a real-life murder. Some felt betrayed by the way history was “changed” for the movie. I reminded them that movies are meant for entertainment and that history as narrative – when it tells the truth – often offers no comfort or enjoyment.   

Somber images of the Queen’s funeral broadcast world-wide depicted family members in mourning and residents of the far-reaching British Empire offering public condolences. World leaders expressed gratitude for her lifetime of service. In those moments – seemingly made for television – we forget that the Queen as a symbol represents years of British colonial and imperial policies that have been damaging to the societies and economies of Asia, Africa and Latin America. And for that, I feel a bit guilty over the hours I’ve invested in the entertainment value of the fictional version of Queen Elizabeth II versus time spent studying the true history of her reign. If I knew more about British policies in India, for example, would the serialization of the Queen’s life – with all the dramatic flair of a soap opera – truly be so entertaining?  Probably not.

As much as I love both movies and television, I wonder if the creative minds behind such entertainment need for us as society to remain somewhat ignorant of history so that we will “enjoy” the stories. Don’t get me wrong: I do not believe that there is a giant conspiracy to keep us in the dark about history to sell movie tickets. I do, however, think there is a balance that must be struck between entertainment and the sharing of factual knowledge. Maybe the responsibility for that balance rests solely on me as historian and consumer. Thoughts? 

[MelRodriguez]

It is somewhat reassuring to hear that I am not alone in this phenomenon, nor in my guilt for choosing the interesting fictional piece first, only to then be inspired to learn more about the person behind the inspiration!