In a recent blog I suggested that we ask our students to think about statues and memorials in their local communities that they would change. One of my goals for the coming school year is to encourage my students to be more aware of their local history and try to place it within the larger narrative of our nation’s past. In 1944 the American Historical Association published American History In Schools and Colleges in which they addressed the vast field of US history education. While there is much about the document that is now out of date -- content recommendations, for example, completely exclude women and non-white people -- I find one of the authors’ many  conclusions still worthy of consideration: “The study of American history can help to produce loyal, intelligent, cooperative, well-rounded citizens only if our society honors citizens who possess these qualities.” (Chapter Two)   I am struck by this statement as someone who relishes teaching my students about the uncooperative and disloyal. The Patriots were not cooperating with the mother country when they tarred and feathered Loyalists and declared their independence in the 1770s. Nat Turner refused cooperation with his master when he led an insurrection in 1831. Abolitionists expressed disloyalty to the nation when they rallied against anti-slavery petition gag orders and the Fugitive Slave Act. The 20th century has no shortage of intelligent but disloyal un-cooperatives: Alice Paul, WEB DuBois, Malcolm X, Dolores Huerta, and Gloria Steinem to name just a few.   What draws me to this aged quote from 1944, however, is that some semblance of this ideology still lingers today: the sentiment that certain people should be memorialized as examples to the rest of us. Who we choose to honor is a central question present in today’s public debates about monuments, statues, flags, and names of military installations.    Recently journalist Murray Whyte grappled with this topic in an insightful article titled “Weighing the fate of our most problematic public art” ( Boston Globe , July 10, 2020) Whyte describes the challenges faced by communities struggling to decide what to physically do with monuments determined to be no longer welcome or acceptable. “While defenders, such as the president, cite ‘heritage,’ there is no getting around a simple fact: Colonial monuments were always about domination -- powerfully, clearly, and publicly,” Whyte argues. “In the Jim Crow South, Confederate monuments were symbols of an old racist order, alive and cruelly dominant long after the Union victory in the war. But does locking away history, however ugly, counter the damage it causes?”    Whyte’s piece encourages us as students of history to think about ways in which memorials and  public art that reflect problematic historical moments in our nation’s past can encourage further discourse. Historians and artists that Whyte spoke to expressed concern that complete removal of certain monuments may mean a loss of opportunity for public conversation about uncomfortable historical realities. Where do these relics go? How do we continue to engage with them even if we as a society have acknowledged that they should not be revered?   As historians we need to be continuously cognizant of what our students take with them from our classrooms into the public space. Students who understand that the disloyal and uncooperative have made significant, often positive changes in our nation’s history will, I believe, be better able to contextualize memorials and recognize that the nation’s historical record is far more complicated than any singular monument. As we look toward a future of new public efforts to document our nation's past I hope that we as a society are able to embrace a more diverse and honest conversation about our collective history. ... View more

The former state hospital in my town has been repurposed into an office building and luxury apartments. I drive by it regularly on my way to the grocery store. Its existence inspired the research I began in 2015 seeking to better understand the care of mentally ill women in the late 19th century. My initial curiosity about that building has contributed to my reading dozens of books on the history of mental illness and women’s healthcare, in addition to spending many, many hours in libraries and archives.   The COVID-19 pandemic has slowed my research considerably. The archival work I was conducting is paused for the time being because access to the libraries is no longer available. Moving all of my courses online and planning for a seemingly un-plan-able fall semester have meant that time I would have spent this summer on research and writing has instead been dedicated to lots of online meetings and e-mail discussions about this past spring and the fall semester ahead. And yet, the voices that have spoken to me through my research still constantly weigh on my thoughts.   Group exercise classes were allowed to resume outside last week here in Massachusetts so my favorite yoga teacher held our class in the courtyard space at the former state hospital -- beautiful green grass, benches, flowering trees and shrubs surrounded the students who remarked on the beauty and tranquility of the space. What played over and over in my head, however, were the stories of men and women who had lived amidst the walls of what formerly was a state institution for those deemed “insane.” I was struck in that moment by how easy it is for history to be forgotten and stories lost -- for kind, well-meaning people to have absolutely no idea of the space they are in, its history and significance.    The history teacher in me had to resist the urge to interrupt students’ friendly banter about the beauty of the place with anecdotes of the sadness that would have surrounded us in that same space many years before. The experience has me thinking about voices that are lost as we re-purpose old spaces and contemplate the monuments that decorate our communities. Most of us spend very little time considering their meanings or wondering why one building is saved and others are demolished; why one person is memorialized and others forgotten, until we are forced to consider such questions. Right now, for example, statues of Christopher Columbus, Theodore Roosevelt, and Confederate leaders, among others, are being removed nationwide. It is time, as a society, to start really thinking about whose likeness should be erected in  place of these relics of the past.   Part of my planning for fall, then, is to design an assignment that will ask students to “replace” -- in essay form -- a historical monument/statue in their community. I’m asking the students to think not only about the history of the chosen monument as it stands today -- what/who it memorializes, when it was built, etc -- but also about ways in which the local community has celebrated or protested the memorial’s existence. What reactions does the current monument elicit from people in the community?  From visitors? And, most importantly, to the student, does the monument represent the community’s past, present and future?    I’m hoping that this assignment will force students to think more seriously about the issue of historical monuments: who makes decisions about the figures that a community chooses to publicly revere and why. For my students here in New England, I think this is especially relevant to ensure that they do not see the issue of Confederate statue removal as specific to only southern states but as a challenge to all communities throughout the United States to do better. ... View more

For me, and no doubt many others in the Macmillan Community, staying motivated since the widespread social distancing orders and campus shutdowns began in March has been extremely difficult. I’d love to be able to say that I’ve used extra time at home gained from not commuting to write or to read. Instead I’ve spent an inordinate amount of time keeping track of how many weeks it has been since I was last in my campus office (seven) and how long it has been since I had my haircut by a professional (seventy days). Some of the things I never thought I could miss -- a student walking into class after I had started lecture and asking a question I had already addressed -- are now the mundane normalcy I long for. When it was clear that I would have to move classes from on-campus to online, I made a few changes to my syllabi. I had intended for students in one class, for example, to be using books and other library reference materials (not online) for an end-of-semester project. The closing of our campus as well as public libraries meant changing the assignment drastically to accommodate the students while still meeting the academic demands of the course. I’ve come to the conclusion that I can only do my best with the situation that all of us faculty face in this pandemic. I’ve said much the same to students who have been in touch about work and family issues that are significantly hampering their ability to complete the semester.  This week, then, I want to find some positive areas on which to focus amidst this scary and depressing academic semester. There are some interesting assignments and projects being created by historians in response to the COVID-19 pandemic that are helping me to stay interested in the larger challenge of historical memory that will be so critical to future generations. Here are just three examples:  The Washington Post last week highlighted an assignment created by University of Central Florida adjunct faculty member Kevin Mitchell Mercer in which students were asked to write about an artifact from 2020 that historians could use a century from now to tell the story of the pandemic. The Twitter discussion that followed the newspaper's coverage of Mercer’s assignment provides some insight into how our students are struggling with this major disruption in their academic and personal lives and will be valuable to future historians studying the social implications of the pandemic.  In light of the intense focus now placed on 1918, the Society for Historians of the Gilded Age and Progressive Era (SHGAPE) has put out a call for fellow historians to more fully document the history of the 1918 pandemic. SHGAPE will publish contributions by historians and other academics as blog entries intended to expand understanding of the 1918 pandemic while we grapple with the current crisis. Interested researchers from any field should visit this link .  Finally, the American Institute of the History of Pharmacy seeks public participation in its effort to document the experiences of Americans in pharmacies during this pandemic. The organization invites the public to “share your pharmacy stories, photos, videos, artifacts, and other documentation of the COVID-19 pandemic.” For more information visit the Project’s web site https://aihp.org/collections/aihp-covid19-project/ The advertising industry keeps reminding us that we are “all in this together.” So what are you doing to keep yourself intellectually motivated during this difficult time? Are you planning for summer and fall classes or simply trying to get through the end of spring semester? Please share! ... View more

Although I’ve been working with college students now for more than twenty years, this semester has been unlike any we in academia have experienced in the past. A few years back, during a particularly difficult New England winter, my college canceled school on three consecutive Mondays because of snow storms. That semester one of my US History II classes met only on Mondays for 2½ hours. Very few students in the class had internet in their homes so most relied on the college computing center for WiFi and technology access. I remember being flustered at how far off the syllabus we were when the semester finally ended in May.  Here, in the spring 2020, however, we have clumsily converted our on-campus courses to fully online. I say clumsily because most faculty had a week or less to figure out how to best implement changes to on-campus practices in an online environment. For my colleagues at a community college we faced the enormous challenge of insufficient internet and technology access by our students. In the face of this pandemic we have been fortunate that our college has the resources to lend materials to students and help them gain short-term home access to WiFi. Since hindsight is, of course, 20/20, I thought it would be helpful this week to acknowledge three simple things I wish I had known and/or done in January 2020:  Students must have a library orientation during the first weeks of the semester. Usually we venture to the library as a class after the midterm for guidance on research projects. Had I taken this step earlier in the semester, however, more of my students would have been comfortable accessing library materials from home when the COVID-19 closures began, which would have made certain assignments easier to integrate. Students must have everything they need for the entire semester at the start. In the past I have been really lax with students when it comes to getting copies of supplementary readings (novels, memoirs, etc). Oftentimes on the first day of class I will say something to the effect of: “You do not need a copy of this novel until late March.” Not anymore. Lesson learned the hard way as I currently have students unable to get access to library materials and unable to afford to purchase books online because of COVID-19-related loss of income. Students must be able to download and upload materials to/from our learning management system. My on-campus students generally pass in written work in printed form. I’m learning from this semester’s experience that many of those students who choose to never take online classes do not actually know how to upload their work as an email attachment or to a learning management system’s drop box. This fall I plan to have every on-campus student submit a one-paragraph autobiography to me via our LaunchPad dropbox as a low-stakes assignment. In turn, they will be downloading my autobiography. I’m hoping to quickly identify anyone who may need extra help with our online tools as the semester is starting. Given the speed at which we were forced to move from on-campus to fully online, these three simple tasks completed at the start of the semester might have helped my students and me transition with less stress. As educators we already need to be adaptable in unexpected situations. The COVID-19 crisis has shown us how important it is for us to prepare for big-picture crisis management. While we are fortunate to have the option to continue working with our on-campus students through online platforms, we still need to work together to find ways to make the process seamless in the future. ... View more

In his blog post, "Model Voice-Overs," Eric Nelson draws from his experience teaching online to share his perspective on transitioning the world history survey course from a face-to-face to an online environment. In particular, Eric discusses how he has used brief, focused podcasts to guide his students through their reading -- and how these podcasts can be embedded in the e-book in LaunchPad to bring together a combination of the text, commentary, and other activities to engage students.  For instructors moving online for the first time, check out Eric's advice for getting started with podcasts using the most important aspects of your current live lectures.   Read the full article here on the World History Association's blog. Eric Nelson is a WHA Executive Council member and co-author of Ways of the World. ... View more

I think it’s safe to say that none of us are experiencing the spring semester we envisioned when it began in January. I was on Spring Break when COVID-19-related closures, cancellations, and postponements began. My college extended our break a second week to give faculty time to plan for fully-online teaching and students an opportunity to figure out what their at-home technology needs will be.  For students who take all their courses in traditional, on-campus classrooms the change to fully online is daunting. A few have emailed me and expressed concern about their internet access. I’ve sent dozens of emails to students over the past seven days with instructions about plans for this coming week online. I can only hope that students are able to access email at home and are carefully reading my messages. It is my hope that in the months that follow this crisis there will be a larger discussion about internet access for all. As a commuter campus, many of my students rely on the college’s computing center or their public library for WiFi access necessary for their academic work. With the campus completely closed to human visitors, it remains to be seen what the impact will be on students’ ability to complete courses. No doubt we are all struggling to learn as much as possible about the current pandemic while  finding ways to help our students understand the historical context. For those of you not familiar with the history of medicine and healthcare in the United States, I want to recommend some resources that may be useful during this time. For general suggestions about connecting the history of medicine to survey-level US history classes, see my blog from January 2019 “Making Connections: History & Medicine” . If you have not previously incorporated healthcare history into survey courses, now is a great time to start planning to do so in the future.  Revisiting my 2018 blog about influenza may also be helpful, see “Sharing ‘the Flu’ with Students” . My US History II students studied the 1918 outbreak in February. I’ve heard from several students who feel some relief in having historical context with which to evaluate this current crisis.  Finally, there are many informative articles being published online that can be useful in our struggle to contextualize current events for today’s anxious students. I highly recommend history faculty visit PULSE: Medical & Health Humanities , a site produced by scholars in the Netherlands; particularly useful is Professor Manon Parry’s article “Learning from the (Recent) Past” (March 23rd, 2020). In addition, many scholars are sharing materials online to help each other through this challenging teaching moment. The American Association for the History of Medicine (AAHM)’s Facebook page is a great place for historians and teachers to ask questions and exchange information, including primary sources, during this crisis. Finally, it may also be meaningful to remind your students that they are living through a major historical event. Suggest that they keep a journal or scrapbook to memorialize this period of their life. Historians of the future will one day be gathering evidence of what we experienced during this pandemic. Encouraging our students to document their personal experiences is a great way to connect them to the larger human narrative that we seek to share as historians.  ... View more

In January the New York Times evaluated the narratives presented by eight US history textbooks  to explore the choices states make about history education. Focusing on California and Texas, in “Two States. Eight Textbooks. Two Stories”  Dana Goldstein argues, “In a country that cannot come to a consensus on fundamental questions — how restricted capitalism should be, whether immigrants are a burden or a boon, to what extent the legacy of slavery continues to shape American life — textbook publishers are caught in the middle. On these questions and others, classroom materials are not only shaded by politics, but are also helping to shape a generation of future voters.” As a full-time faculty member I have complete control over which textbook I choose for my community college students. Nonetheless, I was fascinated by the Times examination of the textbook question because what students learn in K-12 truly influences how they think about the world around them and the ideas of our national history that they bring with them to college. In most public schools history teachers are racing to cover dozens of topics in the span of a nine-month school year. For those whose states require standardized testing for graduation, the stakes are often higher and more complex. The political differences evidenced by the topical choices made by textbook publishers did not surprise me. More conservative school boards choose textbooks that reflect their way of thinking and vice versa for moderate and liberal boards. What fascinated me most about the Times piece were the comments by readers. I’m assuming that demographically the average New York Times reader is both educated and interested in the world around him/her. Threads among the more than 600 comments, however, reflected readers’ short-sighted assessments of the quality of teachers who use textbooks. “Very Silly in Colorado,” for example: “I had incredible history professors in high school...none of them used textbooks.” “James from Boston,” a teacher, boasts the “use [of] zero textbooks” in his classroom. Other readers suggested the development of one textbook to be used by public school children nationwide would solve the problem of over-zealous school boards. “AJC in Paris” writes “If only we could have a National Curriculum researched and vetted by educators only.”  These -- and many, many other -- comments concern me on a number of levels. The notion that a classroom teacher is somehow deficient or lazy because he/she uses a textbook needs to be dispelled immediately. I teach at a community college. My students range in age from seventeen-year-old high school students working towards college credit to traditional eighteen-year old freshman to middle-age parents trying to complete degrees or changing careers. We need a common place to start: a shared narrative to explore, which is what a good textbook provides. Are there students in my classes who disagree at times with the textbook publishers’ thematic choices or are critical of what they view as a political perspective? Absolutely. Nonetheless, the text is a central starting point for my teaching. Am I biased in my choice? Yes! Although I teach the general US surveys, I deliberately choose a textbook that focuses specifically on social and cultural history. No doubt a political historian would find my choice short-sighted. The notion of a “national curriculum” is also problematic. The idea that such a thing could be created without bias is implausible. Historians are among the scholars best suited to convey to students a deeper understanding of the reality that all information is, in fact, biased: from the newspapers that we read, to the texts/emails/letters that we send, to the textbooks in all of our classrooms. In the classroom we make choices based on what we believe will work best with our student population and school boards do the same in their communities. Recent criticism of the The 1619 Project by prominent scholars should remind us that even historians do not completely agree when it comes to modern-day interpretations of America’s past.  As historians and teachers, the best that we can do for our students is offer them a starting point for understanding our national past, recognizing that all interpretations are going to be influenced (in good ways and bad) by biased sources. Encouraging the students to find the flaws in the sources -- even in their course textbooks -- might be the most effective way to guard against creating a generation of students whose beliefs conform to only one idea or argument. Helping our students recognize and question bias needs to start in our classrooms with our textbooks. ... View more

We are almost at the midpoint of spring semester and requests for letters of recommendation are starting to pile up. Teaching at a community college necessitates that faculty support students' transfer applications, which are generally due later in the admissions process than those of first-year students. The fact that the overwhelming majority of my students are not continuing on in my field of study makes writing these letters more challenging. I would love to be able to share the perspective that a student’s love of history would no doubt flourish when he/she had the opportunity to take upper-level courses. Reality, however, is that in the nearly fourteen years I have taught community college students, fewer than a handful have gone on to major in history. It’s my job, then, to help admissions counselors to see that a community college student’s success in a college-level humanities class is, in fact, indicative of his/her potential to be successful in virtually any area of study.  While I cannot be certain that my approach to writing letters of recommendation for transfer students is the “right” way, here are some of the things that I ask my students to think about and share with me before I write a letter: What specific field is the student hoping to enter and why? What has he/she done work/internship/class-wise that has led to this decision? What specific personal challenges has he/she overcome to be successful academically? How has community college prepared him/her for the next step in their journey? In my letters I focus on the specific skills that I believe college-level history classes offer to all undergraduates, regardless of their intended field of study: critical thinking, research, and writing. Since all of my students are required to complete a research project I am able to describe the individual student’s written work and what he/she accomplished with the assigned project. For many community college students, history is one of the few fields in which library-based research is required. I emphasize to college admissions committees that to pass introductory-level college history classes my students have had to prove proficiency in basic research methods that include developing thesis statements, supporting arguments with primary source documents, and properly citing materials.  Since my students regularly participate in group discussions, I tell admissions counselors about the individual student’s ability to formulate an oral argument and share ideas with the class. This is particularly useful as a letter of recommendation topic when a student has shown leadership potential in a group setting. I’m currently writing a letter for a student who will study engineering at his next college. Simply telling the admissions committee that he received an A in each of my introductory level classes, I believe, is insufficient. It is in our students' best interests that we as humanities faculty directly identify to people outside of our fields the academic competence and confidence that students gain from humanities courses like history and how those skills can be applied to virtually any academic field. And, that we convince admissions counselors that our students' humanities experiences at the two-year college level will make them quality contributors to their next academic community. ... View more

As a historian I struggle with Hollywood-versions of history. Based on a “true story” or “actual events” generally indicates, to me, that some well-meaning writers have taken an historical event and glamorized it for a modern-day audience. While the scenery and costumes might seem authentic, the stories themselves are often re-invented with minimal historical accuracy. In 2002, during my first teaching job after graduate school I taught a class that covered US history 1960 to the present. We spent a lot of time talking about popular culture and I encouraged students to share with the class music from the period that they found historically relevant. That same semester I let students earn extra credit by seeing movies related to topics we covered in class and writing reviews that addressed historical accuracy. This assignment was useful until students became more internet savvy and realized that they could plagiarize reviews from web sites without ever having to see the films.  Although I have since stopped rewarding students extra credit for seeing historically-based films, I still love to discuss them in class. In recent years several films have provided topics for discussion, including “Hidden Figures,” “Green Book,” and “Selma.” “Once Upon a Time in Hollywood” sparked an interesting pre-class discussion recently as students sought to understand what actually happened to actress Sharon Tate versus the filmmaker’s fictionalized version of events. My Macmillan Community colleague, Jack Solomon, addressed this film in a recent blog about facts in this era of fake news.  “1917” is another historically-based film that has captured a lot of attention in recent months. Having read numerous reviews of the film, I finally had a chance to see it with my high school-age son. Since I’m not a military historian I am not able to evaluate the accuracy of director Sam Mendes’s recreation of World War I battlefield scenes. I did, nonetheless, appreciate the way in which the film captured the anxiety of being a soldier in the era of trench warfare, including the shocking visual horrors of the battlefield. As we talked about the film afterwards, I found myself wishing that I knew more about trench warfare so that I could answer my son’s more specific questions. Herein, I thought, lies the problem with Hollywood’s historical fiction: historians are not readily available to talk to movie-goers post-viewing about what is/is not accurate in the film.   A few days later, however, an amazing thing happened: my son told me that he had chosen the English poet and war-veteran Wilfred Owen as the subject of the in depth author study that his 10th-grade English class was beginning. “1917,” it seems, had inspired him to think about how the characters in the film would have described their experiences in writing. Studying Owen’s poetry, he hopes, will provide some insight into an aspect of the war’s history that viewers of the film can only imagine.  I share this story here on my blog because I have been guilty in the past of avoiding historical fiction because of what it gets wrong. I’m inspired to find new ways to get my current students to think about 21st-century historical interpretations because of the possibility that modern-day depictions of such events might in fact encourage them to want to learn the true historical facts. Ideas and suggestions welcome!   ... View more

It’s the first week of spring semester and I’m already feeling overwhelmed by the sheer volume of duties ahead of me in the coming months. Yesterday in class I heard myself telling students “not to be overly stressed by the syllabus on the first day.” At the same time in my own head I was thinking: “how will I ever get all of this accomplished in 3½ months?” Reality is that I’ve been teaching long enough to know that while the semester will move quickly  somehow what I planned for my students will get done. It struck me yesterday, however, that the students who sit before me do not have years of academic success to fall back on as reassurance that they can conquer the challenges ahead. While some students come to a community college for reasons that include economics, change of career or geography, many also come because they have failed to achieve their academic goals at four-year colleges. I’m thinking a lot this week about how we as faculty can help those students who have under-achieved in the past be successful in the future. Yesterday, in addition to outlining the syllabus and academic requirements, I added a short pep talk to my course introduction: not one person in the room, I reminded them, signed up with the intention of failing and/or withdrawing. I asked them to think carefully about what being “successful” will require.  Success amidst the challenges of family and work life will require putting in the time necessary to complete course assignments. As I went through the syllabus yesterday I suggested that students give serious thought to how long it will take each of them to read a textbook chapter. In other words, I encouraged them to start the semester off by planning their homework time realistically . In any academic subject area, step one of this challenge is getting students to accept that they need to make a significant time commitment to their academic success. In reading-intensive subjects such as history and English the necessity of mapping out their use of time is often overlooked because they may not be asked to turn something in with every section of reading assigned.  Talking with students on the first day of classes I was reminded that one of the biggest obstacles to student success is their willingness to acknowledge when things are not going well and to ask for help. While this responsibility falls squarely on each students’ shoulders, I’m planning to introduce an additional safety net to my introductory level classes this semester by taking advantage of our college’s new outreach program from the Student Success Center. My on-campus classes will be introduced next week to an “academic coach” from the Center who will share with them all of the support systems available at the college and then be available to my students throughout the semester via email and individual appointments. My hope is that by introducing this academic coach to my students in a short 10-minute presentation during our class time they will be better equipped to ask for extra help with writing and reading when challenges arise during the semester. Ultimately, my students need to be able to transfer their community college credits to four-year schools. Beyond the credit hours and grades, however, they need to take with them the skills and confidence necessary for academic success. I’m hoping that linking an academic coach to my introductory history courses will offer them extra support in this process and result in better student outcomes. Looking forward to sharing an update later in the semester! What challenges are you preparing for as we begin spring semester? ... View more

Students are turning in final projects this week for my online courses. With only two weeks until final exams, the end of the semester is bearing down on us all. And though these students have been working with me since the first week of September, many are still struggling with a basic life skill: following directions. They have had several weeks to work independently on their projects and plenty of time to ask questions. Yet, in spite of what I have offered them in instruction and assistance, I am receiving finished work from students who clearly did not read the directions.  Case in point: sources. Here is the actual text from my instructions (highlighting in original): Required Sources: Three articles from assigned academic databases (*see below*) *ACADEMIC DATABASES: Students must use materials from the databases linked through the college library to our course. Link is accessible through our course LaunchPad. *UNACCEPTABLE SOURCES:  Wikipedia, History.com, Ask.com OR anything NOT from the assigned academic databases. To my horror, the first few projects I received from students contain none of the required sources. I am wracking my brain to understand why. Was I mistaken to believe that highlighting what I considered an essential requirement of the assignment would force students to pay attention to it? Is there some new way of drawing students’ attention to key elements of instructions that I have missed? Or, are my online students simply not reading the directions?  As a strong proponent of online courses I teach half of my course load online. Nonetheless, I’ve been thinking a lot lately about what the students might miss by not physically being in a classroom for instruction. I, for example, do not have the opportunity to observe confusion on students’ faces when I give assignments. Instead I have no choice but to rely on students’ willingness to email me with questions. Is there something more I could be doing? Do we, as faculty, have an obligation to ensure that our online students have read and understood the directions? For those who teach online in any discipline, what (if any) steps are you taking to address this challenge? Please share. ... View more

Students in my US History I and II classes have recently started a short research project, which means we are spending class time in the library getting everyone acquainted with identifying and citing research materials. As I assist students in locating relevant library-based materials for their projects I am simultaneously conducting web searches to identify new materials not yet available at my college library. While helping a student locate sources on Indian boarding schools this past week I came across an amazing resource that is deserving of some special attention by those of us who teach US history: the Carlisle Indian School Digital Resource Center created and maintained by Dickinson College. If you are not familiar with the history of Indian boarding schools in the United States a great place to start is the (some-what difficult to locate) documentary film “In the White Man’s Image” (PBS, 1992). There are numerous narrative studies of the schools and biographies of their most famous attendees, including Kill the Indian, Save the Man : the Genocidal Impact of American Indian Residential Schools by Ward Churchill (City Lights Publishers 2004). In recent years, writing by students at the schools have been published. See, for example, Recovering Native American writings in the Boarding School Press edited by Jacqueline Emery (University of Nebraska, 2017) and Boarding School Seasons: American Indian families, 1900-1940 by Brenda J. Child (University of Nebraska, 1998). If, like myself, you only have a short period of time to introduce students to Indian boarding schools, there is no better resource on the web than the Carlisle Indian School Digital Resource Center . In addition to hundreds of searchable images of children and young adults who attended the school, there are Student Records searchable by name, date of entry, and nation or tribe, as well as log books and student registers. Modern day history students are introduced through these digitized records to names (native and Americanized), birth dates, and some family history of the Carlisle students. We are able to get a sense of how long students stayed at the school and the types of pressures that led to their dismissals and/or personal decisions to return home. Finally, a section of the resource devoted to Teaching provides lesson plans for younger students that can easily be enhanced for work with first and second year college students. Have you stumbled upon any new or new-to-you web-based history resources that you think may benefit your history colleagues? If so, please share in the comments below! ... View more

My son, a high school 10th-grader, has been using an iPad in school regularly since 5th grade. He’s grown up in a generation of students for whom digital textbooks and computer-based learning are commonplace. And yet, he’s not sold on the idea. As we sat in a doctor’s office waiting room last week he commented to me that he prefers his teachers to assign readings from a printed text. In his view, the only pitfall of the printed text is the excess weight of his heavy backpack. His digital textbooks, on the other hand, are loaded onto devices that contain many, many distractions (text messages, games, etc). At the start of each semester I present my students with the option of purchasing a digital or printed textbook. Inevitably before heading to the campus bookstore a student will ask which format is “better.” My typical answer is that textbook format is a personal choice based on a variety of factors. For community college students, cost is always tops the pros and cons list. It is difficult for me to counter the argument that their need to afford textbooks for five classes necessitates choosing the least expensive options. Nonetheless, when I am asked by a student for advice about digital v. print textbooks, here are some of the questions -- in addition to cost -- that I suggest they consider: Do you have regular access to a reliable laptop/computer/tablet and WiFi? If the answer is no, I suggest that they think realistically about when/how they will access an eBook. If the campus library is several bus stops away and only open when they are working their own part-time job, for example, the print text might make more sense. What will you be using the textbook for? In my classes, for example, students are allowed to use the textbook to complete open-book online quizzes and assignments. I suggest that they consider how they will manage such tasks with an eBook. Some students are able to use their own device with a desktop system in the college computing, which works very well. For others, moving back and forth on one device between an eBook and an online assignment can be more difficult depending on their comfort level with the learning management system. Have you talked to other students? Every semester I have students in my classes who willingly provide feedback to their classmates as to any challenges they had with either print or the eBooks in the past. I find that students generally value their classmates’ perspectives. I have even had students planning to use the eBook decide, in addition, to share one purchased copy of the printed text with a classmate. Have you utilized the college library’s resources? I place a copy of each of course textbook on 2-hour reserve in the college library so that it is always accessible. I make sure the students are aware of this option as a safe alternative if they are struggling for any reason with computer access and/or the eBook, have misplaced their print copy, or simply want to try both options before making an economic commitment to one or the other.  I emphasize to students that textbook purchasing is not a one-size-fits-all experience. Helping our students understand which format will work best with their homework schedules and learning styles in an important component of our teaching. As we prepare this month to order textbooks for the spring semester I’m working with our campus bookstore to make sure students have choices and flexibility in the process.   ... View more

We just finished the second week of the fall semester and I’m already feeling anxious about the notes my students are not taking during class.  History classes are notorious for being heavy with note taking. My on-campus classes meet twice a week for 75 minutes each. I plan for students to be taking notes from my lecture for at least some part of each meeting. To guide their note-taking I distribute a handout at the start of each class meeting containing key terms for the lecture and any images that we will be discussing. I intend for the students to use the handout to follow along with lecture and I instruct them to do so during the first week of classes. They know that the handout is theirs to keep and that if they miss a lecture they should get a copy of the handout to begin catching up.  All that being said … some of my students are not writing down anything I say. Nothing.  I look around the room a lot as I’m lecturing to gauge whether students are following the lesson. Many are writing in notebooks or on the handout, a couple are typing notes on a laptop or iPad. Others are doing nothing. No moving pencil or pen, no laptop: just a desk empty but for the handout I’ve distributed. It’s these students about which I’m truly worried. I know how much of the exam will come directly from the very lecture I am delivering at that moment and yet I cannot seem to convey to those students the importance of taking notes.  I recently spoke with a counselor in student support services at my college about this problem. Our school, I learned, now employs “academic coaches” to help students learn to better utilize both classroom and independent study time. I can definitely see the need for such a professional -- not a content specialist but someone who can help students figure out what they need to know and how best to learn it. Academic coaches are available to meet with our students one-on-one or to address them as a class during our meeting time.  Thinking about the topic for this blog led me to do some research of my own and I found that there is, of course, an abundance of note-taking advice available online for students. Many student support web sites have note-taking tips to share with students. More interesting to me, however, are suggestions to faculty about how to make our lectures more friendly to note-taking. A particularly helpful site is the University of Nebraska’s Teaching Students to Take Better Notes , which is intended as a guide for new-to-teaching graduate students but is a great reminder to any of us who lecture about keeping our thoughts succinct and organized. I’ve decided to address the issue of note taking at the start of each class this week. My hope is that my reminder about the importance of class notes for exam preparation will have some impact. Are your students taking notes? Is there anything in particular you do to ensure that their note taking is productive? Thoughts welcome.   ... View more

In August the New York Times released The 1619 Project , an ambitious publication of the paper’s weekly magazine that seeks to address our nation’s troubled history with slavery at its 400th anniversary. Written and produced by black authors and historians The 1619 Project , according to the Times , “is first and foremost an invitation to reframe how the country discusses the role and history of its black citizens.” (“How the 1619 Project Came Together”) The result is a resource rich with thought-provoking work on nearly every aspect of slavery from capitalism to segregation to myths about black bodies, among many others.  Everyone who teaches the history of the United States should set aside some time to grapple with the works presented by The 1619 Project . These are twenty-first century- scholars and writers seeking to place the history of slavery at the forefront of our modern-day discussions of race. They recognize that the history of this “peculiar institution” remains inextricably linked to our daily lives 400 years after its origin. College students of all races and political perspectives can benefit from consideration of this critical historical topic in a contemporary setting. As I write this blog I’m working my way through the articles and thinking about how best to add the work to what I already teach about slavery.  I’m hoping to integrate the project -- as well as published responses to it -- into my Black History course this fall. My plan is to have students read an article of their choice from The 1619 Project and then react to the published criticism in an informal journal entry. A quick Google search provides numerous examples of criticisms of the project by politicians and social commentators who view it is as a form of propaganda, as well as those who have supported the Times’ decision to tackle this important topic. Discussion of The 1619 Project offers an opportunity to broaden the classroom study of slavery while also enabling students to consider how contemporary scholars and politicians continue to respond to our national history. The start of a new school year is the perfect time to help students grapple with these complex issues. Are you using The 1619 Project in your classroom this fall? If so, please share your thoughts and ideas with the Macmillan History Community. ... View more

I use LaunchPad with both online and on-campus US history classes. While the degree to which I use individual components of LaunchPad varies between the two forms of content delivery, one thing remains constant: during the first weeks of class I get a lot of questions! To help ease the students entry into my use of LaunchPad I’ve devised a list of FAQs that I post under Assignments the first week of classes and keep available all semester long.  I instruct all students to check the FAQs before emailing me with questions. When a student emails me a question that is covered by the FAQs I have a standard reply: Check the FAQs . This simple but friendly response -- the smile emoji is critical -- saves me time while gently reminding students about the importance of using the course tools. Click here to read my FAQs. Remember: I have created this list to reflect my personal preferences for student use of LaunchPad and you should do the same. ... View more

Prep time for fall semester and I’m in that familiar August headspace where I’m questioning how I can make certain “must teach” topics more enjoyable for the students and for me! I’ve written here before about struggling with topics that are not of great interest to me (see, for example, my blog from one year ago “ Teaching the American Revolution ”). As I plan for fall semester I’m tackling another area that I find difficult: the Industrial Revolution.  I’ve decided this year to focus largely on local history in my coverage of the Industrial Revolution. My campus is only seven miles from Slater Mill, the first water-powered cotton mill in the United States. In spite of our proximity to this historic location, the majority of my students have no understanding of its significance. As a result I’m challenging myself to a quick study of local history over this next month. My hope is that students will become more interested in the topics of the Industrial Revolution if they can relate it to a place that some of them pass by everyday. A field trip would be fun but does not fit into the already overflowing US History I syllabus. I started my preparation with a search for quality primary sources and quickly found the 1917 publication  “Pawtucket Past and Present,” a document billed as a “promotional and advertising tool” for the Rhode Island city. While the entire publication at more than sixty pages is too large to use in class, sections of the document vividly depict a popular interpretation of how cotton production came to be in Rhode Island. I’m hopeful that the prose -- intended to sell the city to readers -- will capture the historical imagination of my students in ways that my lectures have failed in previous years. Here is a sample: In a shop in what was then Quaker Lane and is now East Avenue...Samuel Slater with meagre assistance began the manufacture of the Arkwright models. His pay was a dollar a day. The windows of the small shop where he worked were shuttered and the doors barred, and every effort was made to keep the project secret. His patterns were made of wool, and the motive power was furnished by a wheel laboriously turned by a negro named Primus. (10) One idea I’m toying with is having students conduct on-the-spot web research in small groups and then report to the class. This short paragraph offers a starting point for the kinds of questions they could answer quickly: what was the Arkwright model? Was $1/day a decent rate for the 1790s? Why were the windows shuttered? What was the demographic makeup of Rhode Island in the early industrial period? My hope is that spending the first third of our meeting time in active conversation and research about local industry will better prepare students to consider the broader, national history of industrialization covered by my lecture. A review of last year’s notes from the one class meeting I had to cover the Industrial Revolution reminded me that a 75-minute lecture did little to pique student interest. Pinning my hopes on a new approach this year! ... View more

Teaching our students to properly cite sources is an essential component of college-level history courses. In a previous blog I mentioned that last summer I started requiring a rough-draft of the Works Cited page in the earliest stages of my students’ research. This week I will share that brief assignment and the reasons I have found it effective. Open my assignment here. Requiring (and grading) a draft Works Cited page has proved useful for a number of reasons. First and foremost, this assignment forces my students to get to work locating sources immediately. My assignment starts with students submitting a research topic. In my experience this step should be completed through Google Docs, the Blackboard “Journal,” or some other tool that enables feedback directly to the student. I respond to the students as the topics are submitted and encourage them to ask questions before they begin searching for sources. Once they have an approved topic the students have one week to submit their draft Works Cited page. I employ this quick turnaround period to discourage students from putting the assignment aside once the topic is approved and forgetting about it until the week before the due date. Second, the draft Works Cited page enables me to stop bad research in its tracks. It is not uncommon, for example, for students to ignore my instructions about the required library databases and instead conduct a web search (ie, “Google” their topic). I’ve also had students submit draft Works Cited pages that will not lead them to detailed research materials because the sources they have chosen are too general. Or, students will sometimes use the wrong databases in spite of my link to history-specific materials. A philosophical or literary evaluation of Martin Luther King, Jr’s, “Letter from a Birmingham Jail” is not the same as a historian’s examination of what was happening in Birmingham when King was jailed. Catching these problems in the drafting phase is critical. Finally, I have found that when I place the Works Cited front and center the students view it as more than an afterthought. For years I inadvertently allowed students to throw together their Works Cited pages as they completed their projects only to be surprised by their poor quality. No doubt many of those Works Cited pages were pieced together in the middle of the night!  Asking students to consider this critical component of their work in the earliest stages of research has heightened their view of its importance, and ultimately increased their understanding of why sources matter. What do you do to help students understand the value of quality sources and citations? Please share! ... View more

I was first introduced to Jane Addams during my junior year of college when my professor assigned Twenty Years at Hull House . It was not until several years later when I used the book with students in a course of my own, however, that I was truly impacted by Addams’s work. Today I teach at a community college where some of my students are immigrants for whom English is not their native language and many more are first-generation Americans seeking to bridge the vast cultural divide between the country of their parents’ birth and their lives in the United States. Addams’s work, for me, is more relevant than ever. My interest in Addams was renewed last week when I visited the Hull House Museum in Chicago. Addams established Hull House in 1889 with fellow activist Ellen Gates Starr. The settlement would serve as her personal and professional home until 1935. According to the museum’s web site, Hull House “residents” -- educated women (and occasionally men) recruited by Addams and Starr -- “provided kindergarten and day care facilities for the children of working mothers; an employment bureau; an art gallery; libraries; English and citizenship classes; and theater, music and art classes.” Their work intimately connected them with the diverse people of their South Halsted Street neighborhood: Greeks, Italians, Irish, Bohemians, Russians, Polish, African Americans and Mexicans. Although the settlement at Hull House would eventually encompass several buildings the museum as it stands today consists of only the main home at 800 S. Halsted Street on the edge of the University of Illinois Chicago campus. College students from UIC guide guests through rooms that display documents, images, and other artifacts from Addams’s life work. Visitors learn that art and music were prominent in the lives of Hull House residents and visitors, no doubt a welcome distraction from the long hours many immigrant men and women spent in Chicago’s factories. The simplicity of Addams’s upstairs bedroom with its twin bed, desk and fireplace is in sharp contrast with museum pieces that remind us that Addams was once considered by the FBI to be “the most dangerous woman in America.” ( Social Work & Society International Online Journal ). More than a century after Addams and Starr founded Hull House the challenges facing immigrants in the United States remain wrought with fear and uncertainty. In her commencement address at the University of Chicago in 1905 Addams cautioned her audience that Americans  “refuse to see how largely the question [of immigration] has become an economic one.” Addams’s many years of direct involvement in the lives of immigrants remains relevant today as we address similar questions of citizenship and assimilation, standards of living and economic progress. If you’re not already sharing Addams’s story with your students, I encourage you to revisit turn-of-the-century immigration questions through her writings.     ... View more

During my sabbatical this spring I’ve taught only one class: Black History delivered fully online. It’s at this point in the semester, with five weeks of classes remaining, that I assign students a final research project: a 6-8 page study of a person, event or organization from the post-World War II civil rights movement. I let students choose their own topics with the hope that they will be more motivated if they have a personal interest in the subject matter. I have several goals for this project. First I want students to demonstrate proficiency in basic library research. I require each student to use one book-length narrative, two academic articles, and three primary sources. Proficiency in library research requires properly formatted citations and a complete Works Cited page. Students are required to submit a draft of their Works Cited page to me early in the process, which is graded. Second, I want students to show me that they understand the broader significance of civil rights activism over time. I ask them in this project to identify with examples the people, events, or ideologies from earlier historical periods that have influenced their topic. For example: students who choose to examine Brown v. the Board of Education need to demonstrate that the founding of the NAACP in 1909 had a long-term impact for the civil rights legislation in the 1940s, 1950s, and 1960s. Properly integrating primary source examples into the narrative of their essays is my third focus. The three primary sources I require can be images or text. I encourage students to include images of their subjects but remind them that they must explain the images to their readers. Often times students will simply copy and paste an image into the research paper. My instructions, however,  include an example of how students can add to the quality of their projects by providing historical context for the images and citing them in-text. Finally, I want to give students the opportunity to study a topic in detail that we might not cover in class readings/discussions. To cover Black History from 1600 to 1970 or so in one semester is virtually impossible. Many students have deeper interests in people or events that can be more fully explored through this kind of research project. One of the challenges I face when assigning this project is convincing students to step outside of their comfort zone when they select a topic. It’s common, for example, for students to choose Rosa Parks and Martin Luther King, Jr, because they feel confident that they know something about these icons of the movement. By requiring each student to submit his/her topic to me via email before beginning the library research, I have been able to widen their focus. When a student chooses Rosa Parks, for example, I tell him/her that Parks’s arrest and actions in Montgomery in 1955 should account for no more than one paragraph of the final paper. Students who initially chose Parks as a topic because of the bus boycott have been amazed by all of the other -- less known -- work she did in her lifetime. What kinds of projects are your students doing to end the semester? Are there challenges that you have faced in previous semesters that you seek to avoid this time around?  Let’s discuss. ... View more

The women I’m reading about in the archives of New England’s state hospitals will likely never be the subjects of celebratory Women’s History Month events. The tiny remnants of their lives that exist in the historical record are the opposite of inspirational; depicting instead emotional pain and instability that led to their institutionalization. And yet, to me, these women’s lives offer my students even greater value as academic subjects than the most famous of female subjects because their experiences speak to the challenges of daily life in virtually every era of human history. One of my goals during this semester’s sabbatical is to find ways to incorporate the subject of mental illness into my US History and Women’s History survey courses. I am hopeful that sharing these women’s stories within a historical context will help students to better understand both the medical and social welfare systems of the 19th and early 20th-centuries as well as the degree to which mental illness has been a constant in American history. Unearthing these women’s lives, however, has been quite challenging. As I wrote in a previous blog, diagnoses like postpartum depression that are commonplace in the 21st century were rather mysterious to 19th-century physicians. Notations on women admitted to institutions such as Rhode Island’s State Hospital for the Incurable Insane and the RI State Almshouse regularly included marital status, how many children she had (alive and deceased), and what kind of work she did outside of the home. The admitting doctor or nurse made very general observations of her temperament -- “temperate” or “intemperate” are the adjectives most commonly used -- before describing the situation or event that ultimately brought the patient to the institution. In most cases descriptions are brief and painfully sad. There is -- at least on the surface -- nothing remarkable or extraordinary about these women. No famous act of rebellion or eloquent speech exists to propel my subjects directly onto the pages of a course syllabus. There are, instead, hospital notes: “uterine problems,” “gynecological healments,” “mania,” and “domestic unhappiness” are among the common phrases. How do I -- historian and teacher -- help students to see value in studying these nameless women’s lives? I’m reminded as I pour through these documents of Laurel Thatcher Ulrich’s pivotal work A Midwife’s Tale (Vintage 1990). Describing Martha Ballard’s diary Ulrich wrote: “Taken alone, [the diary] tell[s] us too much and not enough, teasing us with glimpses of intimate life, repelling us with a reticence we cannot decode. Yet, read in the broader context...and in relation to larger themes in eighteenth-century history, [it] can be extraordinarily revealing.” (p. 25) As we honor Women’s History Month this March, let’s remember not only the (now) famous women who have persevered amidst seemingly insurmountable odds but also those who remain nameless and faceless in the historical record. Let’s recover their voices and share them with students in the hopes of creating a broader understanding of all women’s history ... and not just during the month of March. ... View more

A scholar new to the academic job market recently asked me to reflect on this question: what do I consider to be the greatest challenge of teaching history at a community college? So here goes ... community college students are often unprepared for the level of reading required to succeed in a college history course. The caveat to this statement, of course, is that many four-year college students are also unprepared because so many high school students are not challenged to read and synthesize large amounts of written information. As a result, even those students who come into my community college classroom from college-prep and honors-level courses in high school often find managing reading assignments difficult. The problem of students not reading enough is not, by any means, unique to history courses. However, there are so many amazing sources available to us as historians -- narrative histories, memoirs, novels, speeches, diaries, etc -- that I have a painfully difficult time selecting readings. Ultimately I assign less than half of what I would truly like my students to read over the course of a semester-long US history survey course. What makes this problem more challenging is that community college students are notoriously time-crunched by work, commuting, and family responsibilities. As a result of these competing responsibilities, unless there is a graded assignment tied directly to it students often will not read. Compared to completing a written assignment that will be turned-in for a grade, reading for general content and context appear less important and are easily dismissed. A recent survey of community college students conducted by North Carolina State University found that work responsibilities and tuition expenses are viewed as “the top two challenges community college students said impeded their academic success.” ( Inside Higher Ed , 12 February 2019 ) I’ve come to accept that even the most committed student may unwillingly fall asleep reading his history textbook after an eight or ten-hour shift on the job. So much of the learning that we ask students to do in our history courses requires a significant amount of reading. Students for whom English is their second language often find history courses difficult because they are seeking to understand both language and content simultaneously. With my community college students, therefore, I search for primary sources with accessible language and rely heavily on images to help those students understand key historical concepts as they continue to improve their reading skills. Photographs, political cartoons, maps, charts and graphs have become an increasingly important part of my course assignments to compensate for the fact that students simply either will not or cannot read the amount of material that I would like to assign. There are many challenges to teaching history at a community college that I have embraced. Classrooms populated by students of diverse ages, political, social and economic backgrounds, for example, produce vibrant class discussion. My students’  different academic backgrounds inspire me to stay active in the field of teaching and learning, in addition to being up to date with historical content. I am particularly conscious of a need to search for new ways to share history with this diverse group and I embrace that challenge. Convincing students that reading will not only enhance their academic experience in my class but their overall quality of life remains the challenge with which I most struggle. Suggestions? ... View more

I’m a month into my research sabbatical and feeling as though the list of questions I set out to answer is only getting longer. Going into this project my plan was straightforward: learn all I can about care of the mentally ill in Massachusetts and Rhode Island in the late 19th/early 20th centuries and then find ways to integrate what I’ve learned into my survey US and US Women’s History courses. When I started the archival research I had no idea what stories would be uncovered but I was hopeful that the dozens of secondary sources I had already poured through would be adequate preparation for what lay ahead. I hit a stumbling block during my very first archival visit. Reading through admission notes for female patients in the 1870s I notice that time and again doctors indicate that their female patients had recently (within weeks or months of the admission) experienced child birth. I began to wonder about postpartum depression and whether doctors in the late nineteenth century would have diagnosed such a condition. Later that evening I started back through some of the major secondary sources in search of post-childbirth diagnoses but came up empty handed. The field of women’s history has expanded exponentially over the last forty years and yet, the more I search, the more frustrated I become: time and again searching for pre-twentieth century historical references to postpartum depression yields links to Charlotte Perkins Gilman’s short story “The Yellow Wallpaper” and virtually nothing else. After combing academic databases for journal articles to no avail I posted queries to two list-servs asking fellow historians for input: what secondary sources exist to help contextualize post-childbirth mental health problems at the turn of the nineteenth to twentieth century? It’s only a matter of hours before the first response arrives in the form of an email from a nursing professor who recommends that I contact an historian friend of hers on the faculty of a medical school. By the end of the day I’d been in touch with three historians on two continents who confirm that my inability to find secondary literature is the result of a vast empty space in the historical narrative. Historians, it seems, have been remarkably silent on the topic of postpartum depression before the Second World War and at this point I can only make broad assumptions as to why. Historical research requires detective work: searching for clues to the past and seeking answers to questions big and small. My experience this semester is reminding me how important it is to share that research process with colleagues near and far, and to seek help when needed. Only a month into my sabbatical I am already indebted to numerous librarians, archivists and historians who have provided advice. I look forward to incurring more academic debt as my sabbatical continues. ... View more

In a May 2017 blog I shared my favorite short research assignment, which requires students to conduct secondary source research to place photographs and artwork from the 18th, 19th, and 20th centuries into historical context. I’ve thought a lot about that assignment over the past week since Virginia Governor Ralph Northam’s medical school yearbook page became a source of public discourse. The image is startling to anyone who has studied the United States in the 19th and 20th centuries: two men, one wearing Ku Klux Klan regalia and the other, smiling, in blackface. Public discussion of this image reinforces, for me, the importance of studying our national history. Rather than imparting our personal political views on our students, this situation is a case-study in why we need to let our students learn the lingering scars of history’s terrible truths for themselves. Contextualizing the men’s costumes within the history of race in the United States opens avenues of discussion in both contemporary and historical settings. When I first present the image-based research project to my students they commonly respond that “there is nothing happening” in their assigned picture. I encourage them to reflect on the unspoken fact that photographs are taken to memorialize -- a moment, an experience, a relationship -- deemed important to someone . If we frame the discussion of Northam’s yearbook page in these parameters, we ask our students to confront the overt symbols of racism that continue to plague our country nearly two centuries after phrases like “blackface” and “Jim Crow” entered our public discourse. So when your students ask about the Northam image, suggest that they do some research. Googling the term “Blackface,” for example, will bring students to articles about the practice as a form of entertainment for white people in the 19th century. “Blackface: The Birth of An American Stereotype”   (National Museum of African American History & Culture) explains the concept with visual examples that can help students to recognize how prevalent the custom was in the 19th century. Ask students to brainstorm times when they have seen blackface (or references to it) used in popular culture. Online resources about the Ku Klux Klan can illuminate student understanding of the longevity of the terror organization. Particularly useful is “Ku Klux Klan: A History of Racism” (Southern Poverty Law Center), which provides a chronological history that enables students to see how the KKK has remained an active agent of hate for more than a century. Finally, ask your students to think about the time in which Northam’s yearbook was published. What was going in 1984 that might have contributed to its inclusion? Whatever reaction you may personally have to the Northam picture, do not allow your students to think “nothing is happening.” ... View more

While a good number of my students are General Studies and Liberal Arts majors, an even greater number are planning careers in the fields of health care, business, and engineering. Our community college is particularly strong in nursing education and allied health sciences so I am increasingly aware of the need to incorporate health-care related content into my history courses. This semester as I research care of the mentally ill during my sabbatical I am simultaneously reading general works on healthcare history that might help connect my nursing and other health-science students to US history through content that speaks directly to their chosen career paths.              Historian Christopher Jones (Arizona State University) describes his institution’s efforts to grow history course enrollments in “Building History Enrollments Through Online Courses for the Professions: Lessons from Teaching the History of Engineering” ( The History Teacher ). Jones writes about the challenge of decreasing enrollments in history courses nationwide. “For those of us that believe history is an essential part of a well-rounded education for any student, be it for reasons of critical thinking, social empathy, or enlightened citizenship,” Jones contends, “it would be a shame to abdicate this mission simply because our classes are decreasing. If students are not coming to us, we should reach out to them.” ( The History Teacher , p. 550). Jones’s creation of an online course focused on the history of engineering inspired me to think about ways that I could more effectively help students in the health-care professions to see the value of historical thinking, especially when it comes to critical thinking and problem solving. In the past I have blogged about incorporating the 1918 influenza outbreak into US history II courses (see “ Sharing ‘the Flu’ with Students” ). While influenza as an historical topic fits nicely into discussions of the First World War, other medical/science-specific topics are more difficult to integrate. There is also the challenge of deciding what to drop to make space in the syllabus. In the long-term I like the idea of creating a course specifically targeting healthcare students. For now, however, I’m focusing on what materials could be added to my general US and Women’s History courses to enable students to expand their historical understanding of the history of medicine. Here are some useful websites I’ve found recently are worth exploring: The Science History Institute offers articles on the development of antibiotics and the science of crop rotation, among others. Their web-based resources Historical Biographies and Scientific Adventurers provide teachers and students with access to dozens of histories of men and women whose work in the sciences have brought amazing advancements including Alexander Fleming and George Washington Carver. The College of Physicians of Philadelphia publishes the website History of Vaccines in which students can examine historical timelines related to the outbreaks of diseases and illnesses, as well the way in which scientists and governments responded to the challenges. Many history of medicine websites publish images that document the development of the American healthcare system and the experiences of both doctors and patients. The New York Public Library has an amazing collection of images documenting epidemics and reactions. For classes studying the Civil War, the US Sanitary Commission Collection contains photographs of nineteenth-century ambulances and drawings of camp medical facilities, as well as doctors’ illustrations of patients’ injuries, including gangrene. Finally, public health films from the Second World War are particularly informative and fun to watch. The US National Library of Medicine’s site The Public Health Film Goes to War offers both animated and live-action videos meant to educate both soldiers and the general public about hygiene and potential medical problems. “Fight Syphilis” (1942) is a particularly good example of how these films can offer students of all majors insight into health-care history while also broadening their perspectives of how Americans reacted to such challenges. I’m brainstorming ways to integrate some of these fabulous resources into future sections of the US history survey. Any suggestions?     ... View more

Last October in a blog titled [My] Research Seminar I introduced the Macmillan Community to the research project I am working on during my semester-long sabbatical -- a study of care of the mentally ill in Massachusetts and Rhode Island during the first half of the twentieth century. Last fall as I wrote that blog I was trying to imagine what a semester of research would feel like after eleven years of teaching full-time at a community college. Preparation for spring semester usually starts something like this for me: I take some time to look the the materials I will be using in my spring courses. I go through my notes, studying the syllabi from previous semesters, to make sure that I remember to implement necessary changes. Often I will do some additional secondary source reading to add new content. I find myself now in uncharted January waters: Where do I start? It’s time for me to listen to the advice I’ve long given my students about conducting research: plan carefully and ask for help. My research has been on the periphery of my teaching for three years now, which means I’ve accumulated a significant amount of stuff: books, articles, emails, and notes-to-self about various ideas and leads. As much as I want to immediately get started in the archives, I have instead spent the last few days organizing everything that I gathered in the planning stages of this project. Through this seemingly mundane task I have been able to start a list of questions about potential sources and research materials. As I’ve become more “organized,” however, I have grown increasingly overwhelmed by the sheer volume of material that exists on my topic. My typical advice to students about narrowing their topic to something manageable echos in the back of my mind. At this point, however, it is too early for narrowing: I need to visit the archives before I can take that important step. For the time being, therefore, I need to tread water in this sea of names, dates, places, theories, diagnoses, and treatments. In hopes of making sense of all that is ahead of me I’m turning to the experts for guidance. Over the past two weeks I’ve sent dozens of emails to librarians and archivists seeking advice about collections. I’ve also spent a good deal of time comparing early-twentieth-century diagnosis terminology with modern-day terms. I’m hopeful that all of this prep-work will help me to be more efficient in the archives. What advice do you give to students as they are beginning a research project? Are there things that you personally do to keep from being overwhelmed by a large amount of material? Any new apps for keeping archival research organized? Please share! ... View more

The topic for this week’s blog came to me in a dream: I was handing out a 10-page exam to students in US History II when I realized I did not have enough copies for the entire class. I ran back to my office to print more but could not find the file on my thumb drive. Gone. Lost forever. I was left with a terrifying question: how would I assess those students for whom I had no copy of the exam? A sweat-inducing panic swept over me and I woke feeling utterly overwhelmed. Last year at this time I blogged about the challenges of dealing with student stress prior to finals. This year, as I’m preparing for a semester-long research sabbatical, I’m feeling more end-of-the-term stress than usual. In addition to grading students’ work and computing final grades, I’m planning my spring research trips. In spite of all of my list-making and organizational efforts, I am stressed out! This week’s blog, then, is more a collection of my rambling thoughts than a succinct discussion of a teaching topic. In the past I’ve thought about changing my syllabi and having fewer assignments due at the end of the term. I’ve agonized over final exams: do they have any real value as assessment tools or are they simply something I do because everyone else is doing them? I’ve read articles and blogs arguing their merits: see, for example, “A Final Round of Advice for Final Exams” ( The Chronicle of Higher Education ) and “Final Exams Fail at Giving Students Anything of Value” ( The Daily Campus ). In my upper-level courses I long ago replaced the final exam with projects. Students complete weekly content-based online assessments and then spend the end of the semester researching and writing. So in spite of having already made some of the many expert-recommended changes to alleviate end-of-semester-chaos, after fifteen-plus years of college teaching, I am still feeling the stress…deeply. A student came to my office this week for what I assumed was help preparing for her history final exam. I was surprised to discover that she had come to talk to me about another class. She was at a loss at how to prepare for a science exam and was completely overwhelmed by the volume of material. My disconnect from the subject matter enabled me to help her organize and make a plan. Although she left my office without an enhanced understanding of the key biology concepts, she nonetheless left with a smile: voicing her concerns about the exam had helped and in that moment talking was enough. I guess my point with this week’s blog, then, is not to solve the problem of end-of-the-semester stress but instead to simply vent it. I feel better already. ... View more

I grew up in Plymouth, Massachusetts. As a child there in the 1970s and 1980s I was bombarded with colonial history. So much so that when I chose history as my undergraduate major I stayed far, far away from courses on Colonial America and focused instead on those that covered post-Civil War society and politics. I took only one class in colonial history at college and one required seminar in Early America as a graduate student. Nowadays, as a professor at a community college, I teach aspects of Colonial America every semester in US History, Women’s History and Black History. As an historian I’m often distressed when I reflect on the history I learned as a child. I’m keenly aware that my students, many of whom also went to grade-school in New England, were taught a sanitized version of colonial history in which pilgrims and Indians feasted together through long, cold winters. As a result, I’m constantly looking for new ways to help my students develop a more sophisticated understanding of the history they were introduced to as children. The month of November is a particularly good time to ask students to reconsider the historical lessons learned in elementary school. For those of you, like myself, who are not experts in the field of colonial or Native American history, a great way to expand students’ understandings of the myths and historical misrepresentations wrapped up in our yearly Thanksgiving celebrations is to bring in an expert. Earlier this month our college invited representatives of the Tomaquag Museum to speak to students at two of our four campuses. Tomaquag is the only museum in the state of Rhode Island dedicated specifically to the history of native people. In addition to bringing numerous artifacts to share with students, museum educator Silvermoon LaRose offered an alternative historical narrative that helped students to break down some of the common misconceptions they have about native life in Rhode Island. I was struck during the presentation by how little my students knew about their own communities. In my US History I course, for example, students study Tecumseh and his movement to unify native people in the early nineteenth century. We study Indian Removal in the southeast and the Trail of Tears. My choice of topics on native people in those periods has stemmed, in part, on a need to cover a geographically diverse history of the United States. As I listened to educators from the Tomaquag, however, I realized that in my efforts to look at life in Ohio, Indiana, Georgia and other places not New England, I had inadvertently missed the opportunity for students to learn more about the ethnic diversity of their own communities. My initial thought was to make changes to the content of my course for next time around. When I considered what the students told me that they gained from the visit from the Tomaquag Museum educators, what I realized is that students relish the opportunity to hear native voices. Talking with students after the visit, for example, yielded discussion of their interest in the musical instrument one of the visitors played and the artifacts that the indigenous historians had shared with the students. My students were enthusiastic about having heard authentic native voices telling the stories of their history. Instead of changing next fall’s plans for readings and lectures, therefore, I’m in search of other potential classroom visitors who can provide my students with diverse voices and historical narratives. Suggestions welcome. ... View more

As our country considers the fallout of this week’s midterm elections, I find myself engaged in an internal dialogue about what goes on in my classroom day-to-day. Prior to November 6th my students appeared to be of two minds: either they were committed to voting OR they were completely disinterested. Admittedly, the latter perspective has driven me a bit crazy over the last couple weeks. While one of my on-campus classes was anxious to discuss the “caravan” of refugees moving north through Mexico, the other two could not have been less interested. I did my best to remain non-partisan and encourage them to vote. “Which day?” one of them asked innocently. On the other hand, over the last couple weeks if I were to bring up the World Series , the score of the most recent New England Patriots game, or a local performance by a big-name entertainer my students were full of energy and deep analysis. Even the students who are generally quiet in class could cite statistics on Red Sox pitchers or Tom Brady’s passing numbers. I cannot help but wonder why it is that when these same students are asked to answer essay questions on an exam their answers lacks detail and specificity. I know they are capable of remembering all kinds of minutia and yet when it comes time for them to apply that skill to the material they learn in my class, most fall short. Engagement is undoubtedly a key to success whether we are talking about student learning in the classroom or convincing an electorate to vote. This observation is nothing new or groundbreaking. When they are engaged with something they enjoy -- popular culture, sports, etc -- my students demonstrate an enormous capacity for both memorization and analysis of factual material. They read websites and newspapers, and listen to music or to sports radio. The information they hear becomes embedded in their minds without any effort. When citizens believe that voting will matter (ie, have an impact on their personal lives), they vote. How do I replicate this phenomenon in class? How do I convince my students that engagement with the material in our class will have a significant and lasting impact on their success as students? I feel particularly compelled to wrestle with this question as we are now past midterm exams and entering what I see as the toughest part of the semester: that period between midterms and Thanksgiving Break when, in my experience, many students stop attending classes regularly and start to miss important deadlines for assignments. Engagement at this stage of the semester may be more critical than at any other point because students have invested a great deal of time in the course and are close completion. So that’s this week’s big question: what are you doing in class right now to help your students stay engaged? ... View more

Next semester I will be on sabbatical. Instead of teaching five classes, I will dive headfirst into a research project that has been taking shape for three years now. A new research project is a great big unknown, which is a little bit terrifying. This week’s blog will be the first in an occasional series that focuses on historical research and writing. The last major research project I undertook was my doctoral dissertation. While dissertations in themselves are fraught with anxiety and roadblocks, completing my degree was enough to motivate me to push through the challenges. This time around the experience will be completely different: no academic advisor, no semester-based deadlines, and the flexibility to follow the questions and evidence wherever they may lead. I’m hoping that if I use this blog as my one-woman Research Seminar I will keep my project on a forward-moving track the way Dissertation Seminar helped me through my dissertation all those years ago. So this week I’ll start at the beginning: My project -- broadly conceived -- is a study of care of the mentally ill in Massachusetts and Rhode Island in the early twentieth century. In the aftermath of my own medical crisis in 2004 I became increasingly curious about the history of women’s healthcare. I began to search for narratives to satisfy my curiosities and was introduced to the works of Gerald Grob and others whose studies examined the way that mental illness was addressed by American society as far back as the colonial period. For nearly two years, while teaching full time, I read everything I could find on care of the mentally ill in the US. In addition to narratives histories that encompassed expansive periods of time and documented the evolving roles of asylums and hospitals, doctors and psychiatrists, I also read regional histories about places like Boston’s famed McLean Hospital and New York’s Willard Psychiatric Center. These studies evaluated the specific challenges addressed by patients, families, community organizations and state legislatures. They shed light on the value of local history in the study of healthcare. Ultimately what I discovered is that I’m most interested in the period from the turn of the century until the start of World War II. And, I want to specifically learn about the communities in which I live and teach. I want to be able to share stories of local people and institutions with my students when my sabbatical concludes. I’m hopeful that the archival work I will begin this January will uncover the lives of women who struggled with mental health problems in this era and lead me to some bigger questions. Laws protecting the privacy of patients in state hospitals will likely have a major on my work and the stories that are available. I’m excited, nonetheless, to engage in the detective work necessary to bring these stories to life. Stay tuned! ... View more