As of June 5 the music video for “This is America” by Childish Gambino (aka, Donald Glover) has been viewed more than 239 million times on YouTube. The New York Times, NPR, Variety, Vanity Fair, The Atlantic and Rolling Stone, among others, have dedicated web and/or air space to discussion of the artist’s vision of race relations in twenty-first-century America. As politically-charged music/popular culture released in 2018, the reach of “This is America” is unparalleled. Had this video been released earlier in the semester I have no doubt that my students would have discussed it in class as it offers a great starting point for a discussion of modern-day politics, including race relations and the debate over gun culture. The wide reach of Glover’s work should make all classroom teachers pause a moment to think about the mediums we use in our classrooms and whether they are truly reaching our students. Over the last twenty years of college teaching I have accumulated hundreds of images to use with classroom lectures and as assignment prompts. I’ve shown documentary films and video clips of varying lengths. I have not, however, successfully integrated music into my courses. I have not yet figured out how to effectively utilize music (including music videos) as a teaching tool. Inspired by the public's fascination with “This is America" (and a conversation with my wonderful officemate, a sociologist), I spent some time recently searching the web for college-level assignments that utilize protest music.  Since my courses are a mix of social and political history we spend a lot of time examining public response to political debate, economics, and international events. Music would seem to be a natural addition to these discussions. The lack-luster results of my web search were not a total surprise to me: the overwhelming majority of politically-themed, music-based assignments shared on the web are for middle and high school students. Either college faculty are not sharing or we do not know where to start. If, like me, you do not know where to start, here are a couple resources that I will utilize as I plan some new lecture and discussion material for the fall semester: Lesson Plan: Teaching with Protest Music  Published on the web as part of “The Learning Network: Teaching & Learning with the New York Times” this site offers teachers some background history on musical responses to political events since the early 20th century. Most helpful to a novice like myself, the authors include a thematically-organized list of songs that work well in student assignments. Protest Music of the Vietnam War is a site developed by Historians for Peace and Democracy in concert with the Peace History Society. The site offers helpful analysis to someone (like myself) new to examining song lyrics and an extensive list of Vietnam War-era music. Finally, if you have an interesting college-level assignment that involves music (protest or otherwise), I invite you to share it here! ... View more

I require students to complete library-based research in all of my history courses. In the past I’ve blogged about a successful project that I assign in US History I and II, which involves historical images and requires students to use a book-length narrative history as well as academic journals to explain historical context (See “Picture This”). Over the years I’ve been very pleased with students’ responses to the project. Based on the students’ submissions I believe that they are learning valuable skills that will be applicable to subsequent college-level research. This week I’d like to share an assignment that I’ve had less-than-fabulous success with and ask for feedback and suggestions from you, the Macmillan Community. This is an assignment that I use in varying forms in both US Women’s History and in Black History, both of which are 2000-level courses at my college, which means students should have taken at least US I or II before enrolling. For the purpose of this week’s discussion, I will focus on how the project has worked/not worked with students in Black History. Click here to read my instructions to the students. I’ll start with the positive. Students have embraced the opportunity to research something of interest in the civil rights movement. Many female students have chosen to study lesser-known female activists. This past semester one of the best submissions was a project on Daisy Bates and her work with the Little Rock Nine. Another student who had briefly visited Selma on a school trip researched the 1965 actions there. Others chose Malcolm X, Stokely Carmichael, and the Black Panther Party for their topics. Since they have so many options for their topic choices, all of the students start the project with a lot of energy and enthusiasm. We spend seventy-five minutes of class time in the college library getting started with the research by working with a reference librarian. The students are re-introduced to the library’s academic databases (they use the same databases earlier in the semester) and have a refresher demonstration in their use. This time is especially helpful for students who are having a difficult time narrowing down their topic. At the end of this class meeting students commit (in writing) to a topic after which I send them on their way. They have a full month to pull together sources and complete the project on their own, knowing that if they require assistance both myself and our reference librarian are available. What happens next? In my experience over the last two years of assigning this project about half of the students meet the general criteria I have set forth for the project with a satisfactory or better result. They understand the difference between primary and secondary sources, make a good effort at proper citations (this assignment is not the first to require citations in this course), and try to make an effective argument about the overall significance of their topic. The other half, however, fall short of the mark in some significant way. The most profound problem I’ve faced has been the students’ choice of sources. Even with the time in the library and in spite of the instruction that general web materials (Wikipedia and history.com, for example) are not acceptable sources, a handful of students in each class will completely ignore my warnings and use only those unacceptable sources. Even students who have otherwise done well in the course to this point will sacrifice their overall grade by ignoring source requirements. Next time around, therefore, I’m trying a new approach: I’m requiring students to turn in a draft of their Works Cited page before they write the essay. My hope is that I will catch (and correct) those students using the wrong kinds of sources before they write the research paper. It’s my way of staging an academic intervention. While I’m hopeful that this new requirement will help, I’m also frustrated that so many students are not grasping the value of academic sources. What are you doing to ensure that all of your students are using appropriate academic sources? Are you experiencing the same kind of struggle I am? Help wanted. Suggestions welcome. ... View more

As we enter Final Exams Week I’m already starting to think about what did/did not work this past semester. My efforts to increase content coverage in the US History since 1877 (US II) survey, for example, had mixed results and I’ll be evaluating the syllabus this summer, again, to find space for additional material. This semester I changed from having three in-class exams in US II to only two. I’ll have a better sense of whether that decision was prudent when I grade exams later this week. Once again this semester my hybrid Black History course ran out of time without a tidy endpoint. We were just starting to cover black power and black nationalism when the semester ended. Current events are often detrimental to content coverage in this course. It never fails that something happens in the outside world that students will connect to a theme or topic from the course. I am always willing to let our discussion stray (at least briefly) from the course topic to some domestic or world event related to Black History. As interesting as those conversations were, now that the semester is over I’m wishing I had managed some of that discussion time differently. In my courses that are fully online I make regular use of discussion board. I like the way that online discussion provides a space for each student to have a voice. It allows me to get to know the students’ perspectives and provides short samples of their writing before they submit their research projects. Since my hybrid class has one weekly meeting, I’ve had the students focus their independent/online work on learning content so that our in-class time could be used for face-to-face discussion.   I’m of two minds when it comes to using discussion board in my hybrid course. On the one hand, because the students do see each other in class I want to take advantage of our time together for face-to-face discussion. In previous semesters I have intentionally not used the online discussion board with my hybrid students because I thought it would take away from the quality of in-class discussions. Students might be reluctant to say something because they have already “said” it in the online portion of the course. Or, conversely, they might simply restate ideas that were already addressed in discussion board. After several semesters of teaching the course this way, however, I’m beginning to wonder if the face-to-face discussions would, in fact, be improved by use of the discussion board. Would it make sense to start discussion of a particular topic online and continue it in class (or vice versa)? In the past I have assigned students films to watch between our meetings with the plan being a group discussion of the film when we are face-to-face. Admittedly, this assignment has not been a success. On a typical day, a handful of students come to class having watched the film while the rest sit quietly and avoid making eye contact during the discussion. Would moving this discussion online as a graded assignment significantly change the dynamic? Currently our class meeting time for this hybrid course is split evenly between lecture and discussion. Would it make sense for me to increase the amount of lecture for the sake of coverage? As more courses at our college move to hybrid delivery we are grappling with questions about what makes sense in the brick-and-mortar classroom versus online. I’d love for readers to weigh in: how do you breakdown your hybrid courses? What assignments are online and what absolutely must happen in-person in the classroom? ... View more

As we sprint towards the end of the semester I find myself trying to cover as much post-World War II history as possible. I’ve written previously about the challenges of coverage and this semester is no different. Back in January I revised my syllabus for US History II with the intent of cutting back on certain topics to create more space for others. I have succeeded in some areas and failed miserably in others. Take, for example, the Great Depression: last spring I spent four classes (5 classroom hours) covering the period 1920-1939. Believing this content could be condensed I planned for three class meetings this semester … and then, much to my dismay, I used four. Now that I’ve (very quickly) covered the Second World War I find myself in another time crunch: how much of the Cold War can I cover without oversimplifying a topic so central to the role of the United States in twentieth-century world history? Since my survey weighs heavily toward social history I need to find a way to provide the students with a succinct introduction to cold war-politics and then shift quickly into a discussion of how the political conditions impacted the home front. In this week’s blog I will share my recent efforts to tackle these challenges. The first assignment in my abbreviated Cold War study required students to read a textbook chapter and complete an online quiz before coming to class. The multiple-choice quiz was open-book and intended to provide an introduction to key people and terminology. Next, at our class meeting (75 minutes), we spent the first thirty minutes watching and discussing a dense section of educational film titled “The Cold War Part I: 1945-1961.” My college subscribes to both Kanopy and Films on Demand, which grant faculty and students access to thousands of films. In this case, the first 16 minutes of the film provided visual evidence of the “Big Three” at Yalta and the end of World War II in the Pacific, plus maps explaining the division of Germany and the development of the Marshall Plan. Students listened to brief segments of speeches by Harry Truman, Winston Churchill, and Joseph Stalin. To facilitate discussion of the film segment I distributed a handout with key terms (See McCormack Handout Cold War) and two images: a European-made poster celebrating the Marshall Plan (“All Colours to the Mast”) and Rube Goldberg’s cartoon “Peace Today” (1948). In post-film discussion I asked the students to come up with definitions of the terms and then to consider Goldberg’s audience and intent. The uncomplicated seesaw metaphor enables a smooth transition from world politics to a consideration of how all of these international tensions impacted day-to-day family life. Finally, for the last thirty-minutes of class we watched “Red Nightmare” (produced by Warner Bros. in conjunction with the Department of Defense). The Jack Webb-narrated picture introduced to students the concept of how American society was conditioned to fear communism. For my purposes, the idyllic image of suburban family life portrayed by the fictional family was a great transition into our next-meeting’s discussion of gender roles in this era. I relied more heavily than usual on video for my introduction to the Cold War in part because my recent coverage of the Great Depression has me feeling as if perhaps I need to say less and cover more. One of the greatest challenges of teaching history is that it is easy to get excited about sharing content and forget that -- at least in my case -- the goal is an introduction to subject matter and not exhaustive coverage. What about you? How do you whittle down the Cold War to a day or two of class time? Please share! ... View more

One of my favorite assignments to do with my US Women’s History students offers them a hands-on experience with primary sources in a research library. I started doing this assignment after attending a professional conference where an historical society director lamented that college history professors very rarely engage their students with local historical organizations. I returned to my institution determined to find a way for my students to learn more about the work of our state’s largest historical organization, the Rhode Island Historical Society. To start I contacted the RIHS director who connected myself and a colleague with the organization’s educational outreach coordinator. Together the three of us  brainstormed ways that CCRI students could explore the RIHS collections. We needed to be realistic: our US Women’s History course is a second-year history course that many students take to fill an elective and not because they want to be historians. Professionally I recognized that I could not allow my students to invade the RIHS research room without a clear plan of action. In spite of all the questions I had about whether this idea could work, I was guided by my belief that the research skills that we gain as students of history can be utilized in nearly any occupation.  With the thoughtful guidance of the RIHS staff we developed a list of topics that would enable students to interact with primary sources in a short period of time. Our goal was that each student would spend approximately two-hours at the RIHS research library (ie, one visit). RIHS sent a representative to meet with our students in the classroom on the day I assigned the project and she was able to introduce them to the policies and procedures of their visit (ie, use of pencils, the need for a picture identification, etc). Here is the assignment we developed: Click here to read the assignment. Every local historical institution is unique. At RIHS there exists a large collection of women’s diaries that suited the needs of this assignment. Wherever you may be teaching, however, there is likely an organization holding a collection of sources that could provide an introduction to library-based primary source research -- maps, letters, newspapers, speeches, etc. The archivist will be able to determine what makes the most sense. While students were initially resistant to the logistics of doing research at an off-campus location, the RIHS is easily reached via public transportation and was, therefore, accessible to all students. Our students were not charged a fee for use of the archives so there were no financial impediments to their conducting research. These are important factors to consider when identifying a partner organization. As much as I enjoyed reading the students’ final papers, even more exciting (and useful) was their engaged discussion of the process. Sending my students off campus to do archival research opened their eyes to the work that historians do in a way that in-class coverage of textbook content cannot. If you’re looking for an adventure in research with your students, give this assignment a try! ... View more

      President Trump’s derogatory references to Senator Elizabeth Warren (D-MA) as “Pocahontas” are a provocative topic for class discussion. Since it is March -- Women’s History Month -- it’s a great time to think about how we can incorporate more women’s history into our survey courses. The Pocahontas/Warren/Trump controversy offers a space for discussion of gender in an historical context, and a starting point for students to consider what they know and don’t know about native women. When I asked my United States History I students to explain the most recent Pocahontas reference they knew it had something to do with Warren’s controversial claim to Native American heritage, which has been widely criticized. Their knowledge of Pocahontas, however, was limited to the Walt Disney-version. The reality is that for many students in a survey-level US history course Pocahontas is the only Native American women about whom they think they know anything. Their knowledge, in turn, is largely based on Englishman John Smith’s version of events. When the president used her name to attack a political foe he offered another example of a white male claiming ownership of Pocahontas’s story. We can begin to demystify the story of Pocahontas -- and other Native American women -- by encouraging students to learn some basic facts. The National Women’s History Museum offers a brief introduction to Pocahontas that sets straight some of the commonly-held myths about her brief life and suggests resources for learning more. Asking students to compare recent documentary films such as Pocahontas: Beyond the Myth (Smithsonian Channel) to the popular culture interpretations can be an informative way to evaluate sources while considering how our public understanding of native women in our nation’s history, including Pocahontas, has been shaped by cultural misinterpretations. Once the students have a better sense of who historians believe she was, ask them to weigh the strengths and weaknesses of a modern-day politician invoking her name in public discourse. Suggest to students that they continue to look for women’s history in the news. While it is difficult to incorporate every topic of interest into our US history survey each semester, the daily newspaper can provide prompts for informal discussion that can be quite fruitful. Discussing the Pocahontas reference in class helped to provoke the natural curiosity of some of these students who told me later that they had spent considerable time after class trying to better understand her historical significance. Inevitably their informal research led them to the stories of other native women with whom they were previously unfamiliar. Most importantly, the students were forced to grapple with how twenty-first-century historians can tell accurate stories of seventeenth-century native women’s lives and how politicians can shape those stories to fit their needs. In this era of “fake news,” encouraging student engagement with women’s history may be more meaningful than ever before. ... View more

Influenza is generally not at topic we humans like to think about. Just hearing the word “flu” evokes negative connotations of coughing, high fever and body aches -- none of which are pleasant reminders of a misery that nearly every human being has experienced. This year, however, marks the 100th anniversary of the devastating influenza pandemic of 1918. There is no better time than winter 2018 to discuss the historical significance of this outbreak. Here are some resources to get started: Documentary film is an easy way to introduce the 1918 influenza to students in a US history survey course. I assign the documentary film “Influenza 1918” (PBS) every semester in United States History II because influenza offers me, an historian with no formal training in the history of science or medicine, a bridge to introductory discussion of public health. Students begin to consider the history of vaccinations and the public use of surgical masks and are forced to reconcile the crisis of spreading influenza with the needs of wartime mobilization. I like this particular film for its focus on family histories. There are other documentary films on the 1918 influenza crisis with decidedly greater focus on science including “We Heard the Bells” (US Department of Health and Human Services), which examines the study of flu victims’ remains preserved by their burial in the permafrost. If there is time for only a brief reading on the topic, historian John Barry’s “How the Horrific 1918 Flu Spread across America” (Smithsonian Magazine) offers a succinct history of the pandemic in the States. This article may serve as an introduction to larger class discussion that could include documents from the National Archives digital collection, “The Deadly Virus: The Influenza Epidemic of 1918”. In addition to images, the collection includes reports on the spread of influenza at US military establishments and among Native Americans. Finally,  “Ten Myths About the 1918 Flu Pandemic” by Robert Gunderman (Smithsonian Magazine) provokes students to think not only about the flu as an historic event but also to consider our nation’s memory of the period. World civilization classes may be enriched by reading Susan K. Kent’s The Influenza Pandemic of 1918 (The Bedford Series in History and Culture). Through a collection of primary sources Kent enables an international study of this pandemic and includes materials from the United States, Europe, parts of Asia, Nigeria, and South Africa. If, like me, you have struggled in the past with integrating science and medicine into your survey courses, the influenza outbreak of 1918 is a very accessible topic for twenty-first century college students. Since students are already familiar with what it means to be afflicted by the flu, their connection to the subject matter is great, which makes for informative and energetic classroom conversations. Are there other topics in the history of science and medicine that you have successfully integrated into a survey course? Please share! ... View more

Engaging students in meaningful participation during the first class meetings can be very challenging. At this early stage in the semester as I’m trying to remember students’ names, I am simultaneously working to convince a roomful of strangers to raise their hands and be active members of an academic community. These goals do not always act in sync. This week I will share an assignment that has worked well with my students early on in the semester. What I will describe in this week’s blog is an assignment that I use in a Black History class but which could be adapted for use in virtually any history classroom. Week one of my Black History course focuses on the Atlantic slave trade, including a brief study of slavery in western African nations and an in depth look at the Middle Passage. At this point in the semester students are becoming familiar with the textbook, Freedom on My Mind,  and our course learning management system. During this week they are assigned the first two chapters of reading in the textbook. Having been introduced to the Atlantic slave trade in their readings, students are instructed to visit the resourceful website slaveryimages.org developed by the Virginia Foundation for the Humanities and the University of Virginia. The students are then assigned the following tasks: Open the link for “Explore the Collection” Select one of the following categories: “Capture of Slaves & Coffles in Africa” “European Forts & Trading Posts in Africa” “Slave Ships & the Atlantic Crossing (the Middle Passage)” “Slave Sales & Auctions: African Coast & the Americas” Find one image that you would like to share with the class. The image should speak to some aspect of the slave trade that you found particularly interesting or insightful. Copy and paste the image to our course Discussion Board. Your thread should be your first name and last initial. Your chosen image must be posted before our next class meeting. Come to class prepared to explain the image and what specifically about it spoke to you as significant. Here’s the catch: NO REPEATS. Look carefully at images your classmates have posted and do not post any duplicates. Prior to the class meeting I keep a running list of the images that students are posting. Since they cannot post a repeat image many students complete the assignment well in advance of the class meeting, which allows me to make notes about whose images will be discussed at which point in the lecture. I am not always able to get through every posted image, but I do get through enough that we are able to have a variety of visual interpretations to discuss. Often times students will offer additional comments when they see an image they had wanted to post but could not because a classmate already had. These are often the most lively parts of the discussion. There are many, many websites with fabulous visual images that can be incorporated into a similar type of class participation activity. Here are a few of the other sites that I have used with my students: for United States History I try The Met Museum’s Art and Identity in the British North American Colonies, 1700–1776.  For United States History II visit the Brandeis University collection World War I and II Propaganda Posters. Finally, almost any US history discussion can be enhanced by the images available at the Library of Congress site, including photographs from the Civil War and wide-ranging collections that include historic buildings, baseball cards, cartoons, and Depression era photos from the WPA and FSA.   All things considered, the stakes are low with this assignment. Students receive points for completing the assignment and those points go towards participation, which in my class is only ten-percent of their final grade.  They receive full credit as long as they complete the assignment. From my perspective, however, equally important to the students completion of the assignment is the effort I make to help them feel as comfortable as possible when they are called upon to speak. It is my hope that this assignment will help foster an environment in which students are willing to be active participants in our classroom community for the remainder of the semester. ... View more

            As Winter Break draws to a close I find myself revisiting the theme about which I wrote my very first blog for Macmillan Community: how to address a divisive political issue within the context of the undergraduate history classroom. Recently the national debate about immigration was accelerated by controversial comments attributed to the President. I’m anticipating that my students will raise questions about the history of immigration when we resume classes next week so I’d like to share several web-based resources that faculty might use in class or offer to students as a way to talk politics with historical context. These three websites offer sources for both primary and secondary examination of immigration to the United States. The Population Reference Bureau, in particular, is a fabulous resource for statistical information about the waves of immigration that have occurred over the past two-hundred years. Library of Congress Immigration: Challenges for New Americans Harvard University Library Open Collections Program: Immigration to the United States, 1789-1930   Population Reference Bureau “Trends in Migration to the United States” Once students have a better sense of how important immigration has been to our nation’s history and development, it is critical for them to understand that current attitudes towards immigration are not historically unique. Comparing political cartoons from past eras to what students may find in contemporary news sources is one interesting way to place the debate in context. These two websites share visual examples and resources: Historical Society of Pennsylvania Anti-Immigration Attitudes “Analyzing Anti-Immigrant Attitudes in Political Cartoons”   There has been no shortage of opinion or “perspective” pieces on the topic published in the last several months including Hidetaka Hirota in the Washington Post (January 16, 2018) and Kevin D. Williamson in the National Review (August 6, 2017). I recommend that faculty seek out a variety of perspectives and then allow students to use their developing skills as historians to discuss and analyze. Time permitting, it is also worthwhile for students examine the homelands of people who came to this country in earlier waves of immigration to compare social, economic and political conditions. Ask students to research conditions in Ireland, Italy, Germany or other nations from which large numbers of men and women entered the United States in the nineteenth century and then compare those conditions to the modern-day regions from which immigrants seek to enter the United States. Then, provide students with resources that consider the impact of immigrants on the communities they join. Historians Marilynn Johnson and Deborah Levenson at Boston College have created Global Boston, a website that offers insight into the history of immigrants in Boston, for example, and shares concrete examples of neighborhoods that have been dramatically influenced by the large immigrant population. Finally, Reimagining Migration contains web-based sources to help educators work with students who have their own migration stories to share.            Remember, above all, that while immigration is an important historical topic, it is one that may be deeply personal to students. In a typical classroom at my community college, for example, I have a diverse mix of first and second generation Americans seated side-by-side with American-born students whose beliefs about the need for immigration reform have been influenced by their families’ economic insecurities. As humanities faculty we are uniquely positioned to help students on both sides of the debate to see the importance of their shared humanity and their connection to both the past and the future. ... View more

The fall semester ended in a flurry of research projects and final exams. Now that the new year has begun I’m reevaluating my fall courses and contemplating changes for the upcoming semester. My teaching load is 5-5 with three course preparations each semester. The only constant in my schedule is that each semester I teach one section of Black History. I reevaluate this course every August and January to assess what did/did not work in the previous semester. For this first blog of the New Year I thought I would share some of my thought process with the Macmillan Community. As always, suggestions welcome!    During the summer of 2017 there was a marked increase in national debate on the future of Confederate monuments (see my blog from Summer 2017 A Monumental Debate). For fall semester, therefore, I decided to incorporate weekly discussions of articles from the collection Slavery and Public History: The Tough Stuff of American Memory (edited by James O. Horton and Lois E. Horton) with the idea that students would have the opportunity to talk about the current debate over Confederate monuments while also considering how the institution of slavery has been memorialized in the United States. I was able to locate several short videos from local television news coverage to provide students with examples of how communities around the country were grappling with the issue. Students were very open to discussing the topic of memorials as both a current event and an important component of understanding how Americans reflect upon our national history.       Also on the list of “positives” or “keeps” for this past semester was our class discussion of James Weldon Johnson’s The Autobiography of an Ex-Coloured Man. We used this novel as the focal point of a series of discussions that began with the ideologies and activism of Booker T. Washington, W.E.B. DuBois, and Ida B. Wells and transitioned into a brief study of the Harlem Renaissance. Students were fascinated by Johnson’s fictionalization of a man “passing,” but also shared personal experiences and observations about whether this concept still holds weight in the twenty-first century.     On the last day of classes I asked the students for feedback to help me plan for the spring semester. Without hesitation students told me that they wished we had more time in class to focus on the civil rights movement of the post-World War II era. My semester-long plan for the fall had centered around an independent study on a twentieth-century civil rights topic of their choice, which culminated in a final research project. Although the students seemed genuinely excited to focus on a topic of personal interest related to civil rights, the specific requirements of the assignment kept us from the kind of detailed discussion of the 1950s and 1960s that I usually undertake with the students in class. In other words, my assignment required a lot of outside reading that took away from the time they had to focus on meeting-specific content.     For the spring semester, therefore, I’m scaling back the independent research project and adding to our syllabus Martin Luther King, Jr., Malcolm X, and the Civil Rights Struggle of the 1950s and 1960s A Brief History with Documents edited by David Howard-Pitney. I chose this text in large part because 3 of 15 students in the class chose to study Malcolm X for their independent projects, and 2 chose King. As much as I want to engage students in a greater understanding of the lesser-known men and women who built the civil rights movement, they remain fascinated by these two enormous figures. I welcome the opportunity to use Howard-Pitney’s work to ground their interest in primary sources.     As I plan for the end of January I would love to hear from other faculty about the kinds of reflection they undertake when a semester ends. Are you making incremental changes or tossing out the syllabus to start fresh? Please share. Happy New Year!     ... View more

Last week I attended the national conference of the Community College Humanities Association (CCHA). Hosted by the Community College of Baltimore County and sponsored in part by Macmillan, the event included more than one hundred panels with faculty representing community colleges nationwide. If you teach at a community college and are not familiar with CCHA, I encourage you check it out. Nearly any discipline taught at a community college that can connect itself in a meaningful way to the humanities is welcome. As a result, the national conference offers an opportunity for an historian like myself to explore a multitude of interdisciplinary perspectives. I was inspired by much of what I heard and saw so this week I want to share just a tiny sample.    Dr. Sheri Parks (University of Maryland) opened the conference by chronicling efforts by humanities scholars in Baltimore to document public reaction to the uprising in that city following the April 2015 death of Freddie Gray. Emphasizing the importance of listening to the voices of the people, Dr. Parks shared the process that the program Baltimore Stories (funded by the National Endowment for the Humanities) has undertaken to document the experiences of Baltimore’s citizens. Keynote speaker and Baltimore resident D. Watkins followed with anecdotes from his own neighborhood to project the message that individual actions can lead to significant social change. To the audience of community college faculty this message truly resonated. Amidst the day-to-day struggles of teaching an often under-prepared student population, faculty welcomed the reminder that education has an enormous impact on individuals, neighborhoods, and communities. Watkins’s own successful career as a writer and activist are shining examples of what can happen when an otherwise disinterested student is turned on to reading and critical inquiry.    Professors Carolyn Perry (Collin County Community College/TX) and Guillermo Gibens (Community College of Baltimore County) shared the often-overlooked roles of LGBTQ and Latin American characters respectively in American films from the first half of the twentieth century. Their panel, “Forgotten Hollywood,” showcased the fascinating ways that Hollywood films can act as primary sources by providing windows into how previous generations of Americans have depicted everything from relationships to minority groups to foreign cultures. As someone who has never taken a film class, I was inspired to find ways to incorporate this genre into my US history classes.     Finally, Mark Lamoureaux, a poet and English professor at Housatonic Community College (CT), presented “Watching the Detectives: Using Genre Fiction to Teach Composition.” My favorite part of Professor Lamoureaux’s presentation was his discussion of how he employs the card game Whist to enliven students’ understanding of Edgar Allan Poe’s “The Murders in Rue Morgue” by asking them to consider questions such as “what kind of thinking does the game encourage?” and “what kind of observations are helpful in playing the game?” By playing the game in class, students are asked to reflect on why Poe might have chosen to have characters play the game in the story. I love the way in which this lesson asked students to think critically about an author’s motives while also introducing them to an unfamiliar piece of cultural history.       It’s been my habit in the past to attend conferences organized by/for historians (like myself) and to therefore continue thinking like an historian about the field of history. The work of each of these humanities scholars, however, reminds me how important it is for us as teachers to continue to learn -- to expose ourselves to other fields of inquiry and pedagogical practices for the sake of enhancing the experience and knowledge of our students.     Is there something that you’ve read, seen, or heard recently -- an article, podcast, film or lecture -- that inspired you to learn something new? Please share!     ... View more

In my survey class this semester, I am experimenting with a variation on the traditional term paper.  Instead of posing a research question, I created an Image/Object Gallery that includes several dozen images from the period covered in the class.  The images and objects are varied; they include historical maps, portraits, engravings, photographs, objects including a teapot, a pipe tomahawk, and a lukasa (or Congolese memory board), and the like.  This took a little while, but it was fun and took on a momentum of its own. Once the images and objects were assembled into a single PDF, with a link for each that would lead students to its source and provide some bare-bones information about it, I asked them to choose one--or alternatively, propose an image or object of their own choosing--and research it.  Here is the instruction I provided:  "In general, you should begin with the following questions: What type of image or object is it?  Who produced it?  Who was the intended audience?  In what context was it created, and for what purpose?  How have scholars interpreted it?  Considering the materials we have covered in class, what larger meanings or interpretations can you ascribe to this image or object?" Students will write a traditional essay about their image/object, but they will also prepare a visual presentation for the class on the subject.  These are short--no more than five minutes--and I have asked them to use Adobe Spark, which is currently free to users, though it would also work to use presentation software like PowerPoint or Prezi.  My purpose in this aspect of the assignment is, first, to give students a chance to share what they've learned (which most students love to do), and second, to encourage them to find other images or objects that accompany the one they've researched, and do a presentation that is as much visual as textual. I'm excited to see the results.  Any other alternatives to a traditional term paper out there? ... View more

Trying to break the ice on the first day of classes I ask enthusiastically, “Read any good books over the summer?” Silence. After some prodding they admit the truth: the majority of students in my introductory-level US history class did not read a single book during summer break. I’m not sure why but I initially found this revelation startling. Getting undergraduates to complete weekly reading during the semester is an often frustrating undertaking. Perhaps in my academic fantasy world those same students who ignore the assigned course readings are secretly pouring through tattered copies of Lord of the Flies and The Great Gatsby during their summer vacations. Who am I kidding? I would have been happy if they told me they had read comic books or Danielle Steele’s entire catalog during summer break. Reading is one of those areas in which faculty are the worst possible judges of students’ habits. We chose to be teachers and researchers in part because we love to read. It’s difficult for us to imagine a life without books constantly stimulating new ideas. Many, if not most, of our students do not share that passion.     Researchers have long argued that reading for pleasure has a significant impact on school performance in grades K-12. (See, for example, “Independent Reading and School Achievement”) It stands to reason that the same theory would apply to college students. By the time students arrive at college, however, incentivizing reading is no longer a viable option. Instead we need the students to see for themselves how exercising their brains through reading can translate into academic success (ie, better grades). How, then, do we persuade them that so-called “pleasure” reading will help them be more successful in their college courses?          Think of it this way, I suggested to my students: a friend tells you that although he is committed to playing for the college soccer team in the fall he has decided not to workout during the summer. Would you think this was a good idea? Would you expect him to have a successful soccer season? While some students laughed at my analogy, a few light bulbs turned on as well. So how do we convince our college students that they need to prepare for success in the classroom by exercising their brains during summer break? While writing this blog I googled the phrase “preparing for college success.” Search results were overwhelmingly related to choosing rigorous high school courses and prepping for dorm life. US News & World Report’s “15 Good Things to Do the Summer Before College” tucked in “Improve Your Mind” at #5 (between “Get Some Furnishings” and “Brush Up on a Language”). The answer to my question, I’ve concluded, is that I probably cannot do much of anything to get students to better prepare ahead of time for their four short months with me. It may be that all we can do as history faculty is challenge our students during the semester with assignments that sharpen their reading and critical thinking skills while encouraging them to leave our classrooms with an enhanced desire to explore on their own. Have you had any success preparing students before they started a course with you? Summer reading? Summer research? Please share! ... View more

Recently while an audience member at a professional conference I found myself morphing into one of my students. I was supposed to be paying attention but in a moment of boredom or disinterest I had noticed a colleague on the other side of the auditorium with her phone on the desk in front of her. I couldn’t resist the urge to send her a text. I’d like to say that I was ashamed to have resorted to the behavior of an indifferent student. More than that, however, I was struck by how easily distracted I am. Why couldn’t I pay attention when I knew the information being conveyed was important? Is there something in this experience that can inform my own teaching and help me prevent students from tuning me out in the same way I tuned out the conference speaker? When I think about that presentation now I cannot recall any of the key components even though it was in my field and relevant to the work that I do as community college faculty. The sad truth is that the speaker did a poor job of communicating his message and my smart-phone was an easy distraction. The relevance for me as a history professor who often talks incessantly at the front of the classroom is profound: with every lecture I write or presentation I prepare, I need to continuously ask myself what do I want the students to know and, perhaps even more importantly, are my methods delivering that information to my audience? As I’ve prepared for the start of the semester over the last few weeks I’ve come face to face with a reality: I need to do a better job conveying information to students in a way that is succinct, clear and meaningful. I’m not saying that my presentations need to be more flashy or incorporate more technology or “entertain” the students, but they could undoubtedly be better organized. I need to ensure that the students can see relevance in what I am lecturing about and how it connects to the larger themes of the course. Like most faculty, I imagine, I rarely evaluate my lectures and presentations immediately after they are delivered. I certainly notice bored and distracted students in the moment, but as I'm grumbling in the aftermath I seldom consider what I could be doing to better connect those students to the lecture itself. The challenge, of course, is how to accomplish this task. What can we as teachers do (short of quizzing and testing) to gauge our students’ understanding of what we are presenting? My experience as a delinquent conference attendee has led me to think more critically about my own presentation style and what I may be doing to foster lethargy and boredom among my audience. So what’s going on in your classroom? Are you using a classroom response system (“clicker”)? Are you showing short film clips or using music to invigorate your lectures? Have you developed some instrument of self-reflection or evaluation? What is working and not working with your lectures?    ... View more

I recently brought home Black Mass: Whitey Bulger, the FBI, and a Devil’s Deal from my public library (click here for a New York Times’ review). The book, written by two Boston Globe reporters, examines a period that intersects closely with my time on earth so far. I grew up south of Boston, Massachusetts, so James “Whitey” Bulger’s criminal history has been a local news topic for all of my adult life. Whitey, for those not familiar with the story, spent nearly two decades as (simultaneously) a criminal and FBI informant, and then many years on the run before being tried and convicted in 2013. Reading the book made me realize how little I actually know about Boston in the 1970s and 1980s. When my students ask why my sections of the second half of the United States survey end in the early 1970s instead of going to “the present,” I respond with a smile: “If I lived it, it’s not history!” As I think more about this question, however, I am forced to face reality: I am uncomfortable teaching about events that I can remember. This is particularly true when it comes to political events in the 1980s because I can vividly recall watching the evening news with my parents. When I read about events from this era it’s always with a faint recognition of what I had seen or heard as a teen.             With each passing year in the classroom, however, will come the inevitable need to expand time frame of the US survey for the sake of my students, many of whom were not yet born when I graduated from college. They don’t remember the politically-charged Olympic Games of the Cold War era, Bill Clinton’s denials of infidelity, or even September 11th. So how do we as historians decide what is “history” -- i.e., included in the survey and other courses -- and what is current events? Does my “If I lived it ....” litmus test have any credibility? Probably not. And yet I remain perplexed by the enormity of what stays and what goes content-wise if I teach beyond the year of my birth. In an earlier blog I admitted that I’m already overwhelmed by my perceived need to cover a ton of content in US I (see TMI: Overloading the US Survey). I’ve resolved this academic year to revise my US II syllabus and bring my students to 1980 and the election of Ronald Reagan. Now what? What stays and what goes? Or, what if I let the students determine the content of our last two weeks of the semester? What if I tweak my syllabus to the point that I reach my usually stopping point (the war in Vietnam) with time to spare, which I would then dedicate to specific topics about which the students are curious? Have you or one of your colleagues in another field tried this approach? I would love to hear from anyone who has experimented with course content in this way. In particular, how did you determine the topics to be covered? How did students respond to the experience? And would you do it again? ... View more