Join the Community Sign up for free access to premium content, valuable teaching resources, and much more. Get Free Premium Access
This blog was originally posted on November 20th, 2013.
In my last post, I wrote about the difficulties of helping students see the practical, transferable value of things we teach them. In particular, I was a little frustrated that the analysis and assessment techniques I shared with students in the Writing with Communities and Non-Profits course didn’t really hit home with them until guests from non-profits started coming to class and sharing what amounted to the same techniques.
In today’s post, I’d like to follow up on that and talk a little about the same class and the issue of threshold concepts. As we’ve already mentioned in this blog, the next edition of WAW will be centered around threshold concepts. At the same time, I am co-editing a book with Linda Adler-Kassner on threshold concepts (Naming What We Know: Threshold Concepts in Writing Studies, Utah State University Press, forthcoming 2014), and am currently writing a chapter for that book with my colleague Blake Scott on how threshold concepts can help shape writing majors. So, suffice it to say, the lens of threshold concepts is on my mind. To recap, threshold concepts are, according to Meyer and Land, communally-agreed upon knowledge from a field that learners must understand in order to progress in their learning in that field. Learning a threshold concept “occasion[s] a significant shift in the perception of a subject.” Threshold concepts “expose the previously hidden interrelatedness of something.”
One of two big assignments in Writing with Communities and Non-Profits was a grant project. This entailed pairing students with community non-profit partners, and then asking the students to find ten possible funding sources (using the Foundation Directory) and then to write a grant proposal to one of those sources. This project required the students to spend a lot of time with their non-profits, learning about their programs and achievements, and to write many, many drafts of what was a new genre for all of them.
The day the students turned their grant proposals into me, we talked in class about what they had learned while completing this project. Their reflective comments surprised me. They learned that
As I sat listening to the students explain their learning, I realized they were telling me that they had crossed some important threshold concepts about writing:
One of the issues I’ve been struggling with how different threshold concepts are from outcomes. Outcomes can be set at the beginning of a course and then measured; threshold concepts are much slipperier. They underlie what we know and say; they underlie our desired outcomes and our course activities and assignments. But they are not easily taught in a direct manner or at a particular time. When students cross particular thresholds depends on many things, including their own histories and experiences and identities and motivations and dispositions. The students in my class have all revised before, and shared their work with others before, and drawn on prior knowledge before. But for some reason, their work with a non-profit client on this particular text at this particular time enabled them to understand threshold concepts they had not understood before. Of course, that isn’t true for all of them. I can see some of them still going through the motions, and that’s intriguing, too. They all had similar experiences, but their learning happened in different ways.
So how and why do students cross learning thresholds when they do? How can we better name the thresholds we hope they will cross, but also be open to whatever thresholds they cross while they are with us, even if they weren’t the ones we’d planned for? Learning is messy. But when it really happens, it’s incredibly rewarding. And it reminds us why we chose to be teachers in the first place.
You must be a registered user to add a comment. If you've already registered, sign in. Otherwise, register and sign in.