Passing Discussion Questions

[tiffani-tang]

Here are some questions to consider/answer as we continue to discuss Passing at the next meeting. Feel free to drop some notes or your response to some or all of the questions below.

1. Why do you think Nella Larsen’s Passing is having a moment at this point in time?
2. Pair another passage from Passing with a clip from the film in a way that promotes close reading. (You might look at this clip with Tessa Thompson reading a passage while the film plays.)
3. How might you use the cover image for Passing (Lit & Comp 3e, p. 537 or see below) to encourage critical reading of and thinking about the novel?
4. Why do you think Passing (the novel) is enjoying a moment at this point in time?
5. Whatever you suggest to promote/encourage bringing the novel to your students (either for the exam or beyond)

Passing by Nella Larsen

[AshleyGlickman]

1. Why do you think Nella Larsen’s Passing is having a moment at this point in time?

Passing has this ability to apply to many situations, and I think sitting at home for two years provided a place and time for reflection.  Many people elected to live their truth after this reflection which has led to a lot of transitions for people.  This text also examines the ongoing struggle of people coming from the same place, yet growing up and into something completely different than the other parties.  Many families and friends experienced shifts in their relationships as a result of the pandemic and its side effects including isolation, broken relationships, opposing points of view, etc.  Black Lives Matter and the anti-racism movement have furthered supported people in exploring perspectives and ideas outside of their traditional bubbles

5.Whatever you suggest to promote/encourage bringing the novel to your students (either for the exam or beyond)

As I stated in our PLC, I was thinking about The Awakening and The Great Gatsby as I was reading this text.  I think both texts would allow for some crossover conversations. All three texts would provide for examinations regarding women's roles, perspectives, and expectations which could provide for an interesting analysis.   I would be interested in having the students close read sections in Passing and The Great Gatsby where Irene and Daisy refer to women being fools.  The conversation about the expectations that women have regarding other women as well as why this terminology would be prominent in both texts when the concepts are in some ways contradictory could provide for a rich analysis for point of view and context. Furthermore, the concept of Gatsby as passing could provide for some rich dialogue. I have read articles that Gatsby himself is passing which could provide some context for a few of Tom's remarks throughout the text.  Additionally, Gatsby is attempting to pass as a member of the elite West Egg and East Egg group, and students could enjoy examining the two texts from various critical literary lenses.

[ReneeTLC]

Katie's experience getting into Passing is not unusual -- it's not exactly an exciting plot predictor! Her suggestion to isolate a passage and use it for close read makes perfect sense as a way to unpack and begin to predict what this novel will be about. Once we get a sense of these two woman, particularly how their past provides context for their current encounter, I think it moves along pretty clearly.  

I think of that beginning to Gatsby, such a beautiful opening to those of us who get it (or who've read it multiple times) -- Nick stepping out and telling us about this man who is both fascinating and unsettling, but what's it all about? Yet, once we spend some time with those two opening pages, there's so much to follow as we read on. 

[KatieMartin]

I read the novella for the first time for this PLC, and I found the first chapter to be quite confusing.  In my defense, I started reading just before bedtime (never a good idea).  However, I often find if I am confused by something, I can anticipate my students experiencing a similar confusion.  I also find that students are sometimes not very attentive to a text until they get to something that feels more like plot or action.  

Given this, I would consider setting up a close reading, specifically for the background information on Clare in Chapter One.  I would start with the third paragraph, “This, she reflected, was of a piece with all that she knew of Clare Kendry.”  I would then end with “And how deliberately she had–.”  As part of the task, I might write a Q2-style prompt to go with the passage, more for the sake of focusing the discussion than for them to actually write the essay.

[ReneeTLC]

Laurie, thanks for the new comment. The idea of "story" being a safe space to discuss controversial, even volatile issues broadens the discussion we're having in general  -- why reading fiction matters. Finding any safe spaces today is very appealing indeed. 

[LaurieS]

1. Why do you think Nella Larsen’s Passing is having a moment at this point in time?

1. I think due to the push back against and the denial of racism, as well as the acrimonious fight against using “critical race theory” in education, people who know racism to be a reality feel a passion to show its evidence.  Passing allows the numerous nuances and pervasiveness of racism to be seen. And has always been the case, a story can allow people to step into the plot in a safe manner, perhaps allowing readers an opening to see the pieces of and effects of racism in a way that a non-fiction report would not allow.  This also provides a rich text for educators to use to address the issues of racism and expand out to cover numerous issues of “otherness” during such a politically polarized time.

[Beth4]

someone used the word "wallpaper" which resonated to the point of fireworks in my brain! Such a powerful metaphor, actually simile. 

[Beth4]

I will email the teacher and confirm she is okay with my sharing her materials. I cannot imagine that she wouldn't but I wouldn't feel good about her seeing them out there. 

Renee's musings about Clare reminded me of yet another conversation we had about Irene and Clare as foils in the area of risk tolerance. Irene's upbringing seemed to encourage sensibility and security while Irene's was unpredictable and dangerous, which possibly could have created a spirit of recklessness, i.e. how far can I go in tempting danger without getting caught coupled with life is a game, and I have nothing to lose sentiment. Yes, she did care for her daughter, but her idea of caring was keeping her away possibly to minimize fallout from the sudden discovery of her race by Jack. The daring, flirty, seductive looks she "wields" with both men and women are captivating. The look she gives Irene before going through the window definitely is a "wink wink" look. 

[ReneeTLC]

I'm not sure I'm supposed to reply to myself ... lol!  But as I reread the comments, I kept coming back to Ed's suggestion:

"It would be interesting to have students use pictures from a magazine to build a picture of their own face. They can use different parts of multiple images of people to create who they really are. Students could even make one side of how they view themselves and one side of how they think other people view them."

I'm telling you -- if we had world enough and time, maybe we should each try this out on ourselves.  Maybe expand "magazines" to online images... Anyone game to do just that and share? Very creative idea. Volunteers?!

[ReneeTLC]

I am so impressed by the responses to the questions -- and particularly responses to the responses! Here are a couple of my thoughts and (of course!) more questions you might want to explore.

Thanks to Robin for the Americanah comments. Nice connection – and Adichie is such a glorious writer …

*  Brazil... As it turns out, I was also intrigued by Brian's interest in relocating to Brazil to live in a less racially charged society.  As it turns out, Larsen's interest in that country is a connection that has generated some research in the 21st century.  Here is a dissertation.

dissertation:  https://trace.tennessee.edu/cgi/viewcontent.cgi?referer=https://www.google.com/&httpsredir=1&article...

There's also a long article that's 2021 article in The Baffler that opens with a response to the film of Passing and discusses the history of "passing" in Brazil and the U.S.

Passing for Racial Democracy by Stephanie Reist:  https://thebaffler.com/latest/passing-for-racial-democracy-reist

Beth, thanks so much for the resources. I'd be especially interested (and I bet others would as well) in seeing the AP Lit teacher's FB resources.

So here’s my question as I look at the comments in general about “imposters,” charisma, and Clare:

That comment about “charisma” … hmmm.  I wonder if an area to explore is whether we’re as drawn to Clare for her complexity, restlessness, boldness, energy, maybe even “spirit,” as Irene is. As readers, are we skeptical of her? Or enticed ? The word “feral” keeps coming up in articles about her.   And I wonder if Ruth Negga changes – enlarges – amplifies – complicates – our perception of Clare from the novel. In one of the interviews, Negga says that she wanted to show Clare’s  appetite and zest for life.  What other ways might we describe her?  Sometimes, I wonder if Clare is “passing” (which suggests a deliberateness) – or if she’s just searching (all the way out the window…)

[day]

Questions 1 & 4: I think all of us struggle with our identity (racial, gender, religious, etc) in one way or another. I don't know that it ever ends. Even as an adult, this struggle continues. I think in today's societies, all across the globe (I don't think this is just an issue in the US) people are trying to figure out who they are. The color of our skin is just the wallpaper we wear.

That's why I think this novella is having the moment that it is right now. However, I think this type of writing has been done before with great success.

Question 2: I would probably choose to use the first part of the novella with the beginning of the movie to create some dialogue amongst students to then inspire some writing.

Question 3: The cover of the novella is unique as in the idea that a part of her is missing and needed to make her face complete. Is race or racial stereotypes the thing that we deal with on a daily basis that makes us feel incomplete or not whole? What can we do to put ourselves together? What makes us complete?

Question 5: I would find it interesting to use another novella, "Black Like Me," by John Howard Griffin to compare the two writings. Also, there was another experiment done before this book in the 1950's (I think) that was similar in nature.