Kim Haimes-Korn is a Professor of English and Digital Writing at Kennesaw State University. She also trains graduate student teachers in composition theory and pedagogy. Kim’s teaching philosophy encourages dynamic learning and critical digital literacies and focuses on students’ powers to create their own knowledge through language and various “acts of composition.” She is a regular contributor to this Multimodal Monday academic blog since 2014. She likes to have fun every day, return to nature when things get too crazy, and think deeply about way too many things. She loves teaching. It has helped her understand the value of amazing relationships and boundless creativity. You can reach Kim at khaimesk@kennesaw.edu or visit her website: Acts of Composition Why is digital literacy important for teachers and students? In today’s rapidly evolving digital landscape, digital literacy is a range of essential skills that help us navigate the digital world where we spend a significant amount of time.  Our students are continually immersed in online situations, making digital literacies an integral part of our teaching and learning.  They must learn how to communicate, critically analyze online content, and creatively use digital platforms in meaningful ways. In their article, Digital Writing Across the Curriculum (2010), Hague and Payton define eight components of digital literacy: creativity, critical thinking and evaluation, cultural and social understanding, collaboration, finding and selecting information, effective communication, e-safety, and functional skills.” Even though students are engaged in these digital practices, we can expand our teaching to include practices in these skills along with the analysis of the cultural and ethical implications of digital literacy.  Components of Digital Literacy (Hague & Payton, 2010, p19)I try to incorporate all of these practices into my curriculum design and have recently focused on functional skills. I always say, “I don’t teach tools; I teach digital intuition.” The reason I say this is 1) Tools change, 2) I like to give options for platforms and tool choices rather than prescribing a particular one, and 3) Digital intuition is a critical literacy skill that students only develop through “mucking through” and figuring it out on their own. It also teaches them research and reading skills as they independently seek out solutions and solve their own problems through articles, forums, and documentation. While I feel strongly about this approach, there are exceptions to this stance when we find tools that are so versatile and offer many possibilities that they open up possibilities rather than limit them. Recently, I have directly integrated some tools into my assignments and deliverables and found that they have the potential to create collaborative discussion spaces for problem-solving and extending students’ digital intuition. Canva, a conceptual and visual design platform, is perfect for multimodal composing and enhancing a range of digital literacy skills. With its low learning curve and user-friendly interface, Canva requires minimal additional classroom instruction and is a vital resource for content creation. Canva’s mission is to “empower everyone in the world to design anything and publish anywhere.” Using visualization tools is also a marketable skill that students can take into professional contexts. This platform easily integrates with composition pedagogy throughout the writing process, from invention to drafting to delivery. And it’s free. Applications of Canva in the Classroom   Brainstorming and Invention While Canva is often thought of as a tool for creating polished content, it also offers embedded components that help students with brainstorming, drafting, and collaboration. I introduce it to create storyboards, concept and mind maps, and planning documents (proposals).  The whiteboard tool encourages real-time collaboration and visual brainstorming techniques. We can encourage Design Thinking as a problem-solving framework.  “Unlike other brainstorming methods⁠, design thinking uses empathetic observation to focus on human-centered needs first before diving into ideation.” Data Visualization Research is an important skill that we teach our students.  Data visualization brings research to life as students take their research data and create infographics, charts, and graphs, giving them visual ways to represent their work.  Canva provides an abundance of templates for students to create impactful visual arguments that transcend traditional text-only documents. Microcontent Our students interact with microcontent regularly as they surf the internet and participate in social media. Canva offers many possibilities for students to create microcontent for academic, personal, and professional purposes. Through community engagement and service-learning projects, I have students create content such as memes, reels/videos, posters, flyers, promotions, and newsletters for professional organizations. I teach students about the ethical use of images, but Canva offers thousands of copyright-free images that students can use in their work. Additionally, digital storytelling and comic strips provide creative avenues for expression. Presentations Canva provides a variety of templates for creating engaging presentations, such as pitch decks, proposals, and presentations.  Students can present research, collaborative projects, marketing plans, and media kits, among others.  Check out (and share with students) their beginners guide to Creating Engaging Presentations.  Students can also present their work and learning through digital portfolio templates to showcase their work. Educator Resources Canva has also done a good job of providing resources for teachers and students.  They have resources specifically for educators to create lesson plans, presentations, and pedagogical tools (see 10 Ways to Take Your Lessons to the Next Level with Canva). Teachers can create interactive polls and surveys to evaluate student engagement and learning. You will find an expansive educator community that shares pedagogical perspectives, classroom practices, and samples such as book covers, literary quote books, and narrative maps. **************************** Although this post focuses on Canva, many other tools are available for students to explore. However, Canva’s versatility makes it particularly effective for practicing a wide range of digital literacy skills within a single platform. For more ideas, The NCTE Definition of Literacy in A Digital World offers a specific breakdown of digital literacy skills and ways to apply them in the classroom. To this list, we also need to add strategies and ethical components of AI.  As students move into professional contexts, they will adapt and expand these skills with more advanced options and new rhetorical contexts. As the definition of digital literacy continues to expand, teachers play a crucial role in helping students navigate new technologies, create meaningful content, and engage thoughtfully in the digital world. ... View more

I recently recorded a pedagogy podcast concerning supplemental instruction (SI) in the most difficult first and second-year courses at my university, sharing the Zoom platform with a colleague from psychology and another from math.  Our conversation began with a discussion of difficulty.  What leads us to perceive something as difficult?  The ratio of time and effort required?  The subject matter itself?  Comments on Rate My Professor?    We talked about the benefits of working our way through difficulties, as well as strategies for motivating ourselves to stick with challenges—from growth mindset to research-based study strategies such as spacing (spreading smaller amounts of study over days or weeks rather than cramming at the last minute).  Cramming and spacing can both yield immediate benefits on a test, but the knowledge gained through cramming is less likely to persist, while learning acquired over time tends to last longer.     But what motivates students to exert energy to space their studies strategically or to connect with SI and other campus resources?  Sharing our own struggles, bringing former students and peers to show how their learning extends beyond the classroom—all of this can help students see potential in difficulty and address the “when will I ever use this” question that seems to arise in so many of our class conversations.     Such conversations, however, address the students who recognize and respond to the difficulty inherent in our assignments.  But what about students who do not seem to be aware of that difficulty?    I recall using a variation of Mariolina Salvatori’s difficulty assignment in one of my FYC courses at a community college a few years ago.   I drew on Salvatori and Donohue’s book, The Elements (and Pleasures) of Difficulty, and this insightful piece from Meghan Sweeney and Maureen McBride in creating the assignment:  students were invited to explore their difficulties in reading Maxine Hong Kingston’s “No Name Woman.”  I was surprised by a handful of students who wrote that they encountered no difficulties at all in the reading.  It was clear from subsequent work that they had not actually grasped basic details of the reading, much less nuances of key themes.    This semester, I have not used the difficult paper per se, although I have incorporated elements of its structure into the reflective pieces students have written over the semester.  And I am once again befuddled by a disconnect between what I perceive as the difficulties embedded in the course and the students’ assessment of their own writing practices.     After reviewing the grading specifications for the final portfolio—an end-of-the year project to which I devote the final three weeks of class—I asked students to estimate the amount of time they would need to complete final revisions, edits, and annotations (reflective notes) for the curated portfolio.  Several suggested that at least an hour— “maybe even two”—might be needed.   Many of these students do not yet have full first drafts; they need to complete substantive revisions and extensive editing for at least 4 pieces (2500+ words).    In short, it appears that most students have underestimated the time and effort required for accomplishing the portfolio. I am used to complaints that the portfolio requirements are too difficult; I am not so accustomed to assertions that “it’s no big deal.”   Now I am wondering how best to communicate realistic assessments of what is required to my students, and yet also invite them to enter this process that—despite difficulty—can bring energy, magic, and incredible satisfaction.  My consternation echoes a concern articulated (and explored in depth in this post) by one of my heroes in FYC/developmental/corequisite work, Cheryl Hogue Smith: During this post-COVID sea change, however, I feel like students are in an academic version of The Matrix, not knowing a world of learning exists outside of their passive realities, not even knowing there’s a red or blue pill to choose from. And it’s this fight I don’t know how to win.   Photo by marco fileccia on UnsplashI don’t have answers, but this is just one of the difficult questions I will consider this summer.  I hope to look more into recent publications in the scholarship of teaching and learning, such as this open access collection published by the Association for the Teaching of Psychology.  I am also working through a collaborative investigation of the ways students use language to position themselves in relation to difficult materials in advanced courses.  I will review student work and my own feedback from this current semester.   Then I will tweak (yet again) my syllabi in preparation for fall courses.       How are you helping your students recognize, value, and persevere through difficulty?  How do you help those who are overwhelmed by difficulty—and also those who don’t even perceive that difficulty?  As always, I would love to hear from you. ... View more

At a recent Teaching and Learning Conference sponsored by the University System of Georgia, I was struck by the number of presentations focused on HIPs:  high impact practices. HIPs are described by George Kuh and Carol Schneider in a 2008 book as evidence-based teaching practices that can transform the lives of students who participate in them. The list of practices includes first-year seminars, internships, capstone courses, e-portfolios, and service learning (among others). The American Association of Colleges and Universities (AAC&U) has developed training for HIPs through an annual Institute.     The HIPs are not meant to be small tweaks tagged onto existing course structures; rather, they require the intentional design of experiences—often multi-semester experiences—that engage students in deep, active, and reflective learning.  Some of the exemplary models suggest a strong level of institutional commitment to implement the HIPs—from personnel and training to technology (for e-portfolios) and scheduling resources.    Photo by Scott Graham on Unsplash   But while the adoption of one of the HIPs can seem daunting to individual faculty, there is a second HIP publication that is equally important—but not always as well known. In a 2013 publication, Kuh and O’Donnell outline eight characteristics that make a practice “high-impact.” It’s not that all HIPs demonstrate all eight traits, but they all involve some combination of these: Performance expectations set at appropriately high levels Significant investment of time and effort by students over an extended period of time Interactions with faculty and peers about substantive matters Experiences with diversity, wherein students are exposed to and must contend with people and circumstances that differ from those with which students are familiar Frequent, timely, and constructive feedback Periodic, structured opportunities to reflect and integrate learning Opportunities to discover relevance of learning through real-world applications Public demonstration of competence   Even without significant institutional investment of time or resources, instructors of FYC/corequisite and stand-alone developmental courses can ensure their students have access to “HIP classrooms” and learning experiences shaped by these eight elements.     Over the past two years, for example, I’ve seen the power of inviting Writing Fellows (junior and seniors) into the corequisite classroom to talk—and listen—to non-traditional and multilingual students. For our FYC students, such embedded tutoring covers element #3 (interactions with peers); for the Fellows, it covers #4 (experiences with diversity). Both groups then reflect and revise #6 (periodic, structured opportunities to reflect).     What does your HIP classroom look like? Are you making intentional changes to be more HIP-focused? I’d love to hear about it. ... View more

Today's Tiny Teaching Story is by Jordan Hill, composition instructor in the Global First Year program at Florida International University. A recently-selected Fulbright Scholar, he will soon move to Italy to research a short story collection. Idioms I tell my class of international students that a certain American literary character is “an odd duck.” They stare at me with tilted heads and confused smiles. I imagine what they must be imagining—Jay Gatsby as a strange waterfowl. I clear my throat. “Sorry, everyone,” I say. “An ‘odd duck’ is an idiom. An expression.” How can I explain this? “An odd duck is sort of like a black sheep.” Again, the quizzical faces. Too late, I register my second, unintentional idiom. I sigh and explain what happened. They laugh, and I try again.   Submit your own Tiny Teaching Story to tinyteachingstories@macmillan.com! See the Tiny Teaching Stories Launch for submission details and guidelines.   ... View more

Today's Tiny Teaching Story is by Xinqiang Li, a writing instructor at Michigan State University. Class as People It’s the students who have inspired me to bring out the best in my teaching. Their eager questions, timely submissions, and even the smiley faces at the end of their emails remove my nervousness and tiredness at the beginning of the semester. They remind me to teach the class as people. Gradually, I’ve learned to imagine the class as a tea house conversation. I step off the platform, walk among the students, and change the sentence “Writing is an epistemic and recursive process” into “How many drafts do you usually write?” Then, I see eyes light up in the class. Submit your own Tiny Teaching Story to tinyteachingstories@macmillan.com! See the Tiny Teaching Stories Launch for submission details and guidelines. ... View more

Have you ever heard anyone use the “flight attendant speech” as a rationale for self-care? First put on your own oxygen mask, and then assist those around you.      That illustration—which has nearly attained the status of cliché—came to my mind this weekend as I attended a conference focused on student success: students are more likely to succeed in our classrooms when we attend to the needs of those who teach and support them. I learned, for example, about resources related to ADHD and autism (such as Neurotribes: The Legacy of Autism and the Future of Neurodiversity by Steve Silberman), not only because they would illuminate the struggles of my students, but also because I have co-workers with autism or ADHD.  It was a subtle shift, to be sure, but I heard this refrain again and again: the support and accommodations we design for students should extend to instructors, tutors, success coaches, counselors, and testing coordinators—these needs don’t “expire” when the diploma is earned.     Work in higher education may abound with insecurities: “I couldn’t afford the conference hotel—we had to find a cheaper place.” “Our co-presenter made a video—she lost her funding for the conference.” “These are great ideas, but I am not allowed to make any changes to the online course assignments or prompts.  Even if it’s not working for my students, I can’t alter any course components.” “I was diagnosed with autism as an adult—and I was not sure what would happen if the people I work with found out.” “The room is so bright—and I can’t dim the lights. I am always on the verge of a migraine.”  “I can’t tell them about my chronic pain or request accommodations. I am lucky to have a job, and I can’t risk it.” “I can’t say no to the overload, even though the pay barely covers my extra child-care and travel.” “I generally pack a bag with toilet paper, paper towels, and a ream of printing paper—I can’t count on there being any when I get to campus.” “They tell me I must teach online to keep the job, but I don’t have reliable internet at home.” “They said our restrooms are ADA compliant, but only about a few of them actually are.  I have to take an elevator up two floors to get to the restroom that I can use with my wheelchair—and someone is constantly putting signs and boxes in the hallway outside that restroom.” Photo by youssef naddam on Unsplash And of course, there are the realities of political scrutiny in higher education, efforts to undermine academic freedom or tenure protections, and added burdens for faculty to ensure student success or achieve metrics of productivity.  Moreover, policy decisions about developmental education and corequisite instruction are often made in accordance with narratives (even false narratives, as Alexandros Goudas has carefully documented over the past decade) that are far removed from our daily work with students. After over 15 years in community colleges, I know the feeling of being at the tail end of a very long chain, with no voice to speak truth—the reality of our classrooms—to those in power.     I am sure most of you do not need me to point out the precarious conditions of our labor—conditions some of you may be dealing with daily. You well know how these conditions affect our students’ learning. But I needed the reminder this past weekend.     How are you addressing insecurities facing colleagues at your institution? ... View more

I need to make a confession: I fell into a snit of professional jealousy and self-pity a week or so ago. Why? I did not get to attend the 4Cs in Chicago (Conference on College Composition and Communication).   Instead, I reviewed preliminary bibliographies for students in my Introductory Linguistics class and worked with corequisite writers preparing to write profiles of discourse communities. The students had read and tried (with mixed success) to summarize Dan Melzer’s essay, “Understanding Discourse Communities,” and they were exploring their chosen communities through websites and social media. One of the most engaged writers in my multilingual class was struggling to identify a target community.      I sat down with the student to think through some possibilities:  “What’s your major? “Not sure—I really don’t have a direction in mind.” “Well, what interests you?” “I don’t know. I played football in high school, and I like to watch sports, but I don’t really follow a team or anything.” “How about music?” “Nah.” “Well, how about church—you’re a youth leader, right?” “Yeah, but I don’t really want to write about that.”   Back and forth. I don’t think this student was being purposefully unyielding. He was looking for a purpose for writing this paper—and he couldn’t find one.  And he is just the sort of resourceful student who—absent a compelling reason to write—could easily turn to AI to generate a paper. He knows (because we’ve talked about it), how easily ChatGPT could get this job done. He also knows he would gain nothing by that choice. Yet he has not seen what he could gain by doing the assignment, either. “I like our class.  Could I write about our class?” He selected a topic, but I sense, for the moment, it is a perfunctory choice. If all goes as planned, somewhere during the process, he will discover a purpose and find that the work itself can be energizing, that there is a rush of satisfaction as a text begins to take shape before our eyes.  If all goes as it should, and that’s a big “if.”   Over the past couple of years, the moments where classes go “as they should” seem to be less frequent. I find myself looking for ways to bring energy and joy into classrooms where students (corequisite and multilingual students in particular) are struggling to engage.   So when a colleague began posting pics of tables of friends and presentation titles and plates of amazing food from Chicago, I got jealous.   But then I saw this (https://twitter.com/CCCCSLW)      I would have loved to have been in that room, talking hope with my colleagues. But I thought about my struggling writer—who had decided his writing class, of all things, was a discourse community he could write about. He is indeed a multilingual border crosser and change maker.    I began to watch for the Second Language Writing Standing group tweets, drawing vicarious energy from the insights and questions they posted.     What a lovely thought: we can practice embodying hope—even those of us who did not make it to Chicago.     My colleagues are giving voice to questions that are critical to me, and in doing so, they challenge me to go back into my classroom with hope.     This series of Tweets on February 18 connected me to colleagues—and reminded me that I do not teach in isolation. The sense that I am doing so much but never quite enough is shared.     Indeed.  I am grateful to whoever managed the Second Language Standing Group’s Twitter during the conference, as this non-attender found renewed hope and community through them.  I will go back to class with my struggling writer and his discourse community profile. This work with multilingual writers sustains us—and brings hope.   The CCCC Second Language Writing Standing Group’s Twitter is managed by Analeigh Horton, currently a graduate teaching Associate at the University of Arizona and Outreach Coordinator for the CCCC Second Language Writing Standing Group. ... View more

Today's Tiny Teaching Story is by Christine Cucciarre, Professor of English and Director of Composition at the University of Delaware.   Weight I read the want ads during the pandemic. At the end of each Zoom class, I clicked “Leave Meeting,” and cried. Maybe I could drive a truck. Sling mulch at Home Depot. Stock shelves at Target. Just to go to work. Leave work. Be home. No torment of failing my students, failing myself. Fall semester I returned to the classroom. Walk to work. Teach. Return home. Repeat. Still, no lingering with students, office conferences, chatting with colleagues in the copy room.  The sudden weight of the pandemic was so easy to put on, but it’s so hard to take off.   Submit your own Tiny Teaching Story to tinyteachingstories@macmillan.com! See the Tiny Teaching Stories Launch for submission details and guidelines. ... View more

Today's Tiny Teaching Story is by Stuart Barbier, a Professor of English at Delta College. Partly Veiled Validation I returned to mask-to-mask teaching after three semesters asynchronously online. About half of our college's students elected to return, too. Yet, the hallways were oddly quiet, and I only saw a few colleagues. I'd always speak, even if just a quick hello. One colleague barely acknowledged my greeting the first time, and then was silent all the others, not even looking my way when I added his name. Might as well have been online with my camera off. In contrast, my students acknowledged my presence with their eyes, words, and only partly veiled validation.   Submit your own Tiny Teaching Story to tinyteachingstories@macmillan.com! See the Tiny Teaching Stories Launch for submission details and guidelines. ... View more

Today's Tiny Teaching Story is by John Hansen. John Hansen received a BA in English from the University of Iowa and an MA in English literature from Oklahoma State University. His work has appeared or is forthcoming in The Summerset Review, One Sentence Poems, The Dillydoun Review, Schuylkill Valley Journal, Eunoia Review, Litro Magazine, Wild Roof Journal, The Banyan Review, Drunk Monkeys, and elsewhere. He has presented on a variety of topics at The National Institute for Staff and Organizational Development (NISOD), The Conference on College Composition and Communication (CCCC—Regional), The American Comparative Literature Association, The Midwest Conference on British Studies, and others. He is an English Department faculty member at Mohave Community College in Arizona. Read more at johnphansen.com.   Unknown Impacts: Be Kind Early in the Fall 2020 semester, I sent e-mails to several students who stopped participating in our developmental English course. Ben responded two days later apologizing. Hours later, I answered the phone - it was Ben. Small talk quickly turned to him revealing a recent divorce, eviction, and layoff (due to COVID-19). I chatted with Ben weekly. He became one of the better writers in class. Days before the semester ended, Ben sent an e-mail about how he would have ended his life if he didn't have someone to talk with that day. I've reflected on this and Ben every semester.   Submit your own Tiny Teaching Story to tinyteachingstories@macmillan.com! See the Tiny Teaching Stories Launch for submission details and guidelines. ... View more

Today's Tiny Teaching Story is by Eileen Curran-Kondrad, Teaching Lecturer, English, at Plymouth State University. Eileen has written her story as a poem.   About the Course   No birdies, no eagles no long drives I slink off the course after the ninth   On the terrace outside the clubhouse college tournament players mill around. I browse the tables brimming with golf swag.   A voice calls out a young man approaches. Remember me? I took your class last year. We read five books that semester. You turned me into a reader. I went on to read  David Copperfield. I just had to tell you.   I roll my clubs to the car chuckle to myself. Did I just get a hole in one?   Submit your own Tiny Teaching Story to tinyteachingstories@macmillan.com! See the Tiny Teaching Stories Launch for submission details and guidelines. ... View more

Today's Tiny Teaching Story is by Kyle McIntosh, an Assistant Professor in the Department of English and Writing at the University of Tampa where he teaches in the Academic Writing and TESOL Certificate programs.   Mirror “The professor always provides such useful feedback. I don’t know how he has time to read each paper so carefully,” wrote a student on my course evaluation last fall. “He never gives us any feedback,” wrote another. “He doesn’t care about students at all.” Suddenly, I wondered: “Are there two versions of me – one good teacher and one bad – who appear to different students in the same class at different moments on different days? And which one is the me who is reading these comments now?” Just to be safe, I shave off my goatee.   Submit your own Tiny Teaching Story to tinyteachingstories@macmillan.com! See the Tiny Teaching Stories Launch for submission details and guidelines. ... View more

Today's Tiny Teaching Story is by Dr. Chris M. Anson. Chris is a Distinguished University Professor at North Carolina State University, where he is also the Director of the Campus Writing & Speaking Program.   The Big Reveal On the last day of the semester, the elderly bearded gentleman in my 200-student course on English language and linguistics approached me, smiling. “I have thoroughly enjoyed this class,” he said. “You’re clearly a dedicated and student-centered teacher.” As a newly-minted professor, I took his words as high praise. “You see, I’m retired,” he continued, “but I take one course each semester to keep learning.” “That’s awesome!” I said. “What sort of work did you do?” He smiled. “Until last year, I was the provost here.” Stunned, I realized that his gift was more than his praise; it was waiting until the end to disclose.   Submit your own Tiny Teaching Story to tinyteachingstories@macmillan.com! See the Tiny Teaching Stories Launch for submission details and guidelines. ... View more

Today's Tiny Teaching Story is by Kelle Alden, an Assistant Professor of English and Director of the Writing Center at the University of Tennessee at Martin.   Every Year, I Flunk a Decent Person During our conference, I showed my student the math. Regardless of his excellent attendance and participation, without his missing homework and essays, he would fail English. My student looked sheepish, gave excuses, promised to catch up. I no longer take it personally when students lie to me. I try to teach in the moment, to appreciate how my student smiles and greets me every day. Seeing the whole of him will help after finals, when I have to deliver my most difficult lesson. I will still smile for him next semester, even if he cannot return the gesture right away.   Submit your own Tiny Teaching Story to tinyteachingstories@macmillan.com! See the Tiny Teaching Stories Launch for submission details and guidelines. ... View more

Today's Tiny Teaching Story is by Dr. Leslie Werden, a Professor of English & Rhetoric and Department Head of Humanities at Morningside University in Sioux City, Iowa. She teaches Persuasive Writing, Small Group Communication, Literary Theory & Analysis, British Literature, Page to Stage, and more.    Blaming Binaries The large post-it note, halved with a line down the middle separating a list of binaries, was left behind in the classroom. On one side: white, power, strength, leader, good. On the other: black, no control, weakness, follower, bad. The lone black student arrived in the classroom and cocked her head, glaring at the list, brows furrowed, lips tightly pressed together. “What. Is. This?” she asked her professor. A discussion about three different stories from the class before. “Thank God,” the student said. The binaries left behind, assume too much and remain misunderstood.   Submit your own Tiny Teaching Story to tinyteachingstories@macmillan.com! See the Tiny Teaching Stories Launch for submission details and guidelines. ... View more